MEMORY’S ORBIT: EYES WIDE SHUT
Mixing memoir and cultural criticism, Joseph Natoli examines Stanley Kubrick’s “Eyes Wide Shut”
Mixing memoir and cultural criticism, Joseph Natoli examines Stanley Kubrick’s “Eyes Wide Shut”
Christopher Hitchens reviews for Vanity Fair Mel Gibson’s “The Passion of the Christ”
Sergio Leone’s “Once upon a time in America” reviewed at the Cannes film Festival by Todd McCarthy for “Variety”
Todd McCarthy reviews Stanley Kubrick’s “Full Metal Jacket” for Variety magazine in 1987
Jonathan Rosenbaum reviews Stanley Kubrick’s Eyes Wide Shut
I think Stanley Kubrick’s 2001: A Space Odyssey is some sort of great film, and an unforgettable endeavor.
Il film “Lolita” di Stanley Kubrick recensito da Giovanni Grazzini per il Corriere della Sera nel 1962
Heaven’s Gate non è solo un film. È un affair, uno scandalo, un trauma. Un fatto che trascende il mondo del cinema. Forse un banco di prova o addirittura un nodo cruciale.
Pauline Kael’s review of Stanley Kubrick’s Lolita is one of her best—inspired, incisive, exuberant
Sergio Leone’s Once upon a time in America reviewed by Pauline Kael
Pauline Kael’s appreciative but skeptical review of Stanley Kubrick’s “The Shining”, The New Yorker, 1980
Giovanni Grazzini recensisce per il Corriere della Sera “Shining” di Stanley Kubrick
Susan Sontag reviews Ingmar Bergman’s “Persona” for Sight and Sound magazine
Speciale della rivista “Filmcritica” pubblicato nel 1987 in occasione dell’uscita del film di Stanley Kubrick “Full Metal Jacket”
Recensione di Francesco Bolzoni a Barry Lyndon (1975) di Stanley Kubrick. La recensione è apparsa in «Rivista del Cinematografo», nel 1976
Peter Biskind reviews Michael Cimino’s movie the Deer Hunter
Robert Hatch reviews Stanley Kubrick’s Dr. Strangelove for “The Nation”
Christopher Hitchens’ review of the German film The Baader Meinhof Complex (2008) which portrays the terrorist group operating in West Germany known as the Red Army Faction
The Shining reminds us how far the cinema has come and how much it has stayed the same. It shines bits of an enigmatic film future which in the last image turns out to be a still from the past. There is no immutable order of experience when the past becomes a picture of what might have been.
Contributi critici del regista cinematografico Michelangelo Antonioni, del critico letterario Giulio Cattaneo, dello storico del cinema Fausto Montesanti e dello sceneggiatore Giorgio Prosperi. Con una nota critica di Lino Del Fra.
Recensione del film di Stanley Kubrick “Orizzonti di Gloria”, scritta da Guido Aristarco per la rivista Cinema Nuovo