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Richard Church, himself a novelist and poet who had fought in World War I, believed that Erich Maria Remarque’s remarkable little novel allowed the reader to truly understand the horrifying and brutalizing experience of those who fought in the Great War
Sir Herbert Read was a British art historian, poet, and critic. His book of poetry, Naked Warriors (1919), reflected his own experiences in World War I. In the following viewpoint, written as a review of a half-dozen war books, he discusses why, ten years after the end of the war, people had so much interest in war literature.
When Remarque’s English publisher sent an advance copy of the novel to Sir Ian Hamilton, a British general, Hamilton wrote a letter to the publisher thanking him and telling him how true he felt the book was and how deeply it had touched him. The publisher forwarded the letter to Remarque, who responded with the letter below.
Nati dalla fantasia degli scrittori e fatti vivere nelle pagine di un libro, certi personaggi della letteratura hanno un destino singolare: col passar del tempo assurgono all’altezza di caratteri universali e, tralasciata del tutto la loro matrice artistica, cominciano a vivere una vita propria e imbarazzantemente perenne, fino ad entrare nel linguaggio di tutti i giorni.
L'intero romanzo è un universo concentrico che ruota attorno alla figura di un'ossessa. Emma Rouault, malamente maritata Bovary col mediocre medico di campagna Charles, appare fin dalla sua entrée come una creatura che scalpita, una che sta ansiosamente cercando qualcosa, e si sta cercando.
We played a fateful role in Yevgeny Zamyatin's life. An epitome of his philosophy, the novel prefigured his own future and that of his country with astonishing accuracy.
A gripping suspense tale, The Handmaid’s Tale is an allegory of what results from a politics based on misogyny, racism, and anti-Semitism. What makes the novel so terrifying is that Gilead both is and is not the world we know.
In this essay, Ketterer examines the cyclical structure and historical perspective of The Handmaid’s Tale. According to Ketterer, Atwood breaks from traditional dystopia conventions by juxtaposing present and post-dystopia contexts.
As Ronald Gottesman points out in this discerning introduction, Upton Sinclair was a passionate believer in the redemption of mankind through social reform. His expose of the interlocking corruption in American corporate and political life was a major literary event when it was published in 1906, and caused an almost immediate reform in pure-food legislation.