Christopher Hitchens’ review of the German film The Baader Meinhof Complex (2008) which portrays the terrorist group operating in West Germany known as the Red Army Faction
The Shining reminds us how far the cinema has come and how much it has stayed the same. It shines bits of an enigmatic film future which in the last image turns out to be a still from the past. There is no immutable order of experience when the past becomes a picture of what might have been.
Contributi critici del regista cinematografico Michelangelo Antonioni, del critico letterario Giulio Cattaneo, dello storico del cinema Fausto Montesanti e dello sceneggiatore Giorgio Prosperi. Con una nota critica di Lino Del Fra.
Recensione del film di Stanley Kubrick “Orizzonti di Gloria”, scritta da Guido Aristarco per la rivista Cinema Nuovo
François Truffaut reviews Stanley Kubrick’s “Paths of Glory”
Review of Stanley Kubrick’s “A Clockwork Orange” written by Pauline Kael and published in The New Yorker, January 1, 1972
Some movies are so inventive and powerful that they can be viewed again and again and each time yield up fresh illuminations. Stanley Kubrick’s A Clockwork Orange is such a movie.
Review of Stanley Kubrick’s “The Shining”, written by Jack Kroll and published in Newsweek, June 2, 1980
Recensione del film di Michael Cimino “Il Cacciatore”, a cura di Ernesto G. Laura, pubblicata dalla rivista “Bianco e Nero” nel 1979
Speciale Eyes Wide Shut pubblicato dalla rivista italiana SegnoCinema, Gennaio-Febbraio 2000
Speciale su Stanley Kubrick pubblicato dalla rivista italiana Cineforum nel 1999 in occasione dell’uscita di Eyes Wide Shut
Recensione del film di Martin Scorsese “Gangs of New York” a cura di Gianni Canova. Pubblicata sulla rivista Letture nel Marzo 2003
The Shining is an iceberg that may in time prove to be one of the great Kubricks (with Paths of Glory, Lolita and Barry Lyndon), or may be the start of a whole new Kubrick.
Recensione di Eyes Wide Shut a cura di Sandro Bernardi. Pubblicata sulla rivista Drammaturgia, Luglio 2000
Stanley Kubrick’s potentially majestic myth about man’s first encounter with a higher life form than his own dwindles into a whimsical space operetta, then frantically inflates itself again for a surreal climax in which the imagery is just obscure enough to be annoying, just precise enough to be banal.
Speciale Sergio Leone pubblicato nel 1984 dalla rivista Cineforum (238) in occasione dell’uscita di C’era una volta in America
2001: Odissea nello Spazio – Recensione di Alberto Moravia pubblicata sulla rivista italiana l’Espresso del 29 Dicembre 1968
Recensione di Giovanni Grazzini del film Il Dottor Stranamore di Stanley Kubrick, pubblicata sul Corriere della Sera il 04 Aprile 1964
Stanley Kubrick’s Barry Lyndon special published by Italian magazine Cineforum n.160, December 1976
![Barry Lyndon [1975] Marisa Berenson as Lady Lyndon](https://scrapsfromtheloft.com/wp-content/uploads/2016/07/Barry-Lyndon-1975-Marisa-Berenson-as-Lady-Lyndon.png)
I doubt if there could be a grander looking film than Stanley Kubrick’s eagerly awaited three hour adaptation of Thackeray’s Barry Lyndon. Stop it at almost any point and you would have something ravishing to look at.
Michael Cimino’s The Deer Hunter (1978) review by Gordon Gow for Films and Filming magazine, March 1979