Cedric the Entertainer: Live from the Ville (2016) – Transcript
Donning his signature suit and fedora, the dapper comic offers a unique spin on getting old, the presidential election and “Honky Tonk Badonkadonk.”
Donning his signature suit and fedora, the dapper comic offers a unique spin on getting old, the presidential election and “Honky Tonk Badonkadonk.”
Filmed at New York’s Felt Room, Eddie discusses Mr T, Bill Cosby, Richard Pryor (doing faultless impressions of all), Johnny Carson’s costly divorce, relationships, gays, a home-made McDonalds burger that ruined his childhood etc.
Colin Quinn discusses the origins of New York and how it got its unique personality.
Controlled primarily by a handful of multinational corporations, the global food production business – with an emphasis on the business – has as its unwritten goals production of large quantities of food at low direct inputs
Demetri Martin brings his off-kilter take on acoustic guitar, hairless cats, color schemes, and the word “nope” to Washington in his original special.
Jen Kirkman’s original comedy special delivers some sharp, hilarious truths about life at 40 as filmed at the North Door in Austin, Texas.
George Carlin changes his act by bringing politics into the act, but also talks about the People he can do without, Keeping People Alert, and Cars and Driving part 2.
Chelsea Peretti brings her own unique take on the hour-long comedy special in Chelsea Peretti: One of the Greats. Filmed live at the Palace of Fine Arts in San Francisco, the Brooklyn 99 star delivers a wry, silly performance showcasing her diverse talents as an actor, standup, writer, and motorcycle enthusiast.
In this interview with Bill Moyers, Dan Dennett delivers a sharp and clear synthesis of a library of evolutionary, anthropological and psychological research on the origin and spread of religion.
by Sam S. Baskett Vividly embodying as it does the tangled strands of Jack London’s personal, cultural, intellectual and artistic experience, Martin Eden remains a
Forging his own comedic boundaries, Anthony Jeselnik revels in getting away with saying things others can’t in this stand-up special shot in New York.
Nicole Kidman is dawdling before the mirror, naked except for her eyeglasses and an earring that’s giving her trouble. She fusses with it, but languorously, as might be expected amid her gilded surroundings. They suggest the kind of hotel where each room is a scaled-down version of the queen’s bedchamber at Versailles. The lamps bathe Ms. Kidman in flattery…
In Roy Wood Jr.’s second one-hour stand-up comedy special for Comedy Central, performed at Chicago’s Vic Theatre, The Daily Show correspondent explores some of today’s most complicated issues
In this comedy special taped at DAR Constitution Hall, Williams covers such topics as global warming, sex and politics, the state of health care in the country, drugs – recreational and otherwise – and more personal topics, including his recent heart surgery
Empire News Editor Olly Richards interviews Dustin Hoffman at the Toronto Film Festival in 2006
Forchette contro coltelli (Forks Over Knives) è un film documentario del 2011 ideato e diretto da Lee Fulkerson. Il film sostiene l’efficacia per la salute di una dieta che, a differenza delle tipiche abitudini americane, escluda gli alimenti di origine animale e si basi invece su quelli vegetali e integrali, per favorire la prevenzione e cura di numerose patologie.
Forks Over Knives is a 2011 American advocacy film and documentary that advocates a low-fat, whole-food, plant-based diet as a way to avoid or reverse several chronic diseases.
Robin Williams appears on the last regular Tonight Show with Johnny Carson. This was the penultimate final Tonight Show with Carson, and the final show with guests.
Dominion uses drones, hidden and handheld cameras to expose the dark underbelly of modern animal agriculture, questioning the morality and validity of humankind’s dominion over
52 years old and not slowing down for a second, Robin Williams is non-stop for almost 2 hours as he tackles terrorism, sex, drugs, family, golf, drinking, cats, the gay mafia, and everything else you can think of.
In this essay, Sobchack explores Kubrick’s use of décor to emphasize the theme of violence in A Clockwork Orange
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