Why Are Movies So Bad?
The movies have been so rank the last couple of years that when I see people lining up to buy tickets I sometimes think that the movies aren’t drawing an audience—they’re inheriting an audience.
Why Are Movies So Bad?
The movies have been so rank the last couple of years that when I see people lining up to buy tickets I sometimes think that the movies aren’t drawing an audience—they’re inheriting an audience.
Why Are Movies So Bad?
The movies have been so rank the last couple of years that when I see people lining up to buy tickets I sometimes think that the movies aren’t drawing an audience—they’re inheriting an audience.
Stand up Comedy Transcripts
Shoot the Moon (1982) – Review by Pauline Kael
There wasn’t a single scene in the English director Alan Parker’s first three feature films (Bugsy Malone, Midnight Express, Fame) that I thought rang true; there isn’t a scene in his new picture Shoot the Moon, that I think rings false.
Heaven’s Gate – Review by Pauline Kael
Heaven’s Gate” is a numbing shambles. It’s a movie you want to deface; you want to draw mustaches on it, because there’s no observation in it, no hint of anything resembling direct knowledge—or even intuition—of what people are about. It’s the work of a poseur who got caught out.
Interview with Norman Lloyd: Alfred Hitchcock and Saboteur
Lloyd was hand-picked by Alfred Hitchcock to play the title character and villain in 1942’s “Saboteur,” and it was his character who tumbled to his death from the top of the Statue of Liberty in the pic’s iconic conclusion.
Germaine Greer: Playboy Interview (1972)
A candid conversation with the ballsy author of “The female Eunuch”