Kubrick Country – Interview by Penelope Houston
Kubrick Country by Penelope Houston, an interview on A Clockwork Orange, Saturday Review, 25 December 1971
Kubrick Country by Penelope Houston, an interview on A Clockwork Orange, Saturday Review, 25 December 1971
With unflinching honesty, the author of “Do Androids Dream of Electric Sheep?” discusses its cinematic adaptation and the shock of reading the original screenplay, which made him think that he had died and been condemned to eternal torture.
A trent’anni dal suo Orizzonti di gloria, che resta un pilastro del cinema antimilitarista, e a una ventina da Stranamore, ecco Kubrick ancora sparare a zero contro chi scatena l’istinto omicida dell’uomo
Mixing memoir and cultural criticism, Joseph Natoli examines Stanley Kubrick’s “Eyes Wide Shut”
Susan White investigates the problem of gender in Kubrick’s “Full Metal Jacket”
The title of Stanley Kubrick’s latest film, “A Clockwork Orange”, alludes in two different ways to something circular or spherical that is closed on itself and spins. By Jean-Loup Bourget
Irving Singer compares Kubrickean and Homeric epics and analyzes in depth the self-referential mythmaking of Federico Fellini in many of his movies, including 8½
Christopher Hitchens reviews for Vanity Fair Mel Gibson’s “The Passion of the Christ”
The major portion of this interview, much of it conducted by Michiko Kakutani over dinner at Elaine’s Restaurant, was completed in 1985. Since then, the editors — by correspondence and conversations with Mr. Allen over the phone — have brought it up to date.
Sergio Leone’s “Once upon a time in America” reviewed at the Cannes film Festival by Todd McCarthy for “Variety”
Todd McCarthy reviews Stanley Kubrick’s “Full Metal Jacket” for Variety magazine in 1987
Indro Montanelli, invitato da Federico Fellini ad una proiezione privata del suo nuovo film, La dolce vita, racconta le sue impressioni sulla pellicola
The screenwriter of “Full Metal Jacket”, Michael Herr, pays homage to his longtime friend, director Stanley Kubrick
Jonathan Rosenbaum reviews Stanley Kubrick’s Eyes Wide Shut
Oriana Fallaci interviews Federico Fellini
Intervista di Herb Lightman pubblicata in American Cinematographer n. 11, novembre 1980
Stanley Kubrick’s futuristic 1968 epic ‘2001: A Space Odyssey’ still has the power to startle. Mark Crispin Miller re-examines its subversive vision of power, sex and isolation
by Richard Combs The South Coast town of Kingswear is a ferry stop across river from Dartmouth, which by comparison is something of a metropolis.
Saggio monografico del 1971 – ormai quasi introvabile – dedicato al film di Stanley Kubrick “Orizzonti di Gloria”
John Boorman’s cult film Deliverance is a rape-revenge movie with a difference. Its haunting power lies in what it tries not to show. by Linda Ruth Williams
I think Stanley Kubrick’s 2001: A Space Odyssey is some sort of great film, and an unforgettable endeavor.
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