TAKESHI KITANO: ARTISTA A DUE FACCE
04/12/2016
È uno dei registi giapponesi più amati del mondo. Ma nel suo paese si fa chiamare Beat Takeshi ed è il re della tv spazzatura
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MOVIES
IL CASTELLO ERRANTE DI HOWL: MIYAZAKI LIBERA TUTTI
04/12/2016
Il 9 settembre esce in Italia Il castello errante di Howl del regista giapponese Hayao Miyazaki. Che anche questa volta assegna all’immaginazione dei bambini il compito di salvare il mondo
FULL METAL JACKET: CYNIC’S CHOICE
03/12/2016
September 1987 issue of American Cinematographer, detailing the making of Stanley Kubrick’s film ‘Full Metal Jacket’.
PLATOON: Review by Terrence Rafferty for “The Nation”
02/12/2016
Oliver Stone’s Platoon, about a group of American infantrymen in Vietnam between 1967 and 1968, is the first Hollywood film about this country’s Southeast Asian adventure that’s just a war movie
FULL METAL JACKET: REMOTE CONTROL
01/12/2016
Review of Stanley Kubrick’s “Full Metal Jacket”, by Terrence Rafferty, in Sight and Sound, Autumn 1987
STANLEY KUBRICK: QUEST FOR PERFECTION
30/11/2016
Stanley Kubrick’s cinematic collaborators recall the man and his very unique methods
Eyes Wide Shut: A Sword in Bed – by Stephen Pizzello [American Cinematographer]
30/11/2016
Cinematographer Larry Smith helps Stanley Kubrick craft a unique look for Eyes Wide Shut, a dreamlike coda to the director’s brilliant career
A CLOCKWORK ORANGE: THE OLD ULTRA-VIOLENCE
30/11/2016
Director Stanley Kubrick lent a learned eye to A Clockwork Orange, enlisting lighting cameraman John Alcott, BSC to help create a bleak dystopian futurescape
PAUL SCHRADER ON TAXI DRIVER
27/11/2016
In this extract from Schrader on Schrader, a collection of interviews and essays, screenwriter Paul Schrader tells Kevin Jackson about the genesis of Travis Bickle, working with Martin Scorsese and the link between the Coppertone advert and Crime and Punishment
VIDDY WELL, LITTLE BROTHER!
26/11/2016
A Clockwork Orange by Tony Parsons A Clockwork Orange was like seeing your little life blown up and put on the big screen. It took
GERTRUD (1964) – Recensione di Giovanni Grazzini
26/11/2016
Giovanni Grazzini recensisce per il Corriere della Sera il film “Gertrud” di Carl Theodor Dreyer
Kubrick And ‘The Shining’ – by P. L. Titterington [Sight & Sound]
21/11/2016
P.L. Titterington discusses the evolution of Kubrick’s style and the language of his ideas.
IL SETTECENTO DI BARRY LYNDON E DI 2001: ODISSEA NELLO SPAZIO
20/11/2016
Avvisaglie della fine impossibile di Francesco Cattaneo «…è l’individuo tale quale, elementare e tortuoso, vomitato dal Caos in piena Versailles“. E.M. Cioran (1). «La luce
2001: ODISSEA NELLO SPAZIO: Recensione di Fernaldo di Giammatteo
20/11/2016
Il caso di 2001: A Space Odyssey, film di enorme successo e di enorme sfortuna, è uno dei più clamorosi. Tanti furono i sofismi che ne accolsero l’uscita da indurre lo stesso Stanley Kubrick a fornire, un poco infastidito, la sua semplice spiegazione
A SKELETON KEY TO 2001 – by Don Daniels [Sight and Sound]
20/11/2016
The young cult for Stanley Kubrick’s 2001: A Space Odyssey now has its HolyWrit. The second 70 mm. release of the movie was accompanied by a collection entitled The Making of Kubrick’s ‘2001’ and edited, with the cooperation of the director, by Jerome Agel.
MARIO MONICELLI: IL MIO CINEMA FRA MUSSOLINI, SORDI E GORBACËV
20/11/2016
E’ stato uno dei più grandi registi italiani di tutti i tempi. Qui ripercorre la sua vita in un racconto intensissimo e divertente, amaro e surreale. Proprio come le sue commedie.
THE SHINING: RESIDENT PHANTOMS
19/11/2016
Jonathan Romney looks for clues to Stanley Kubrick’s themes in The Shining’s Overlook Hotel (Sight and Sound, September 1999)
EYES WITHOUT A FACE
19/11/2016
Eyes Wide Shut movie review by Charles Whitehouse, Sight and Sound, September 1999
ROBERT BRESSON: THE POETRY OF PRECISION
17/11/2016
Robert Bresson interview with Michel Ciment for American Film, October 1983
‘2001’ IS UP, UP AND AWAY: KUBRICK’S ODYSSEY IN SPACE BEGINS RUN – Review by Renata Adler
15/11/2016
2001: A Space Odyssey, a film in which infinite care, intelligence, patience, imagination and Cinerama have been devoted to what looks like the apotheosis of the fantasy of a precocious, early nineteen-fifties city boy.
LOLITA (1962) – Review by Dilys Powell
14/11/2016
See the film twice within the space of five days: the test is severe, especially when the original from which the piece is drawn is already familiar…