Full Metal Jacket – Review by David Denby
07/09/2021
Can the sentiment of Stanley Kubrick’s Full Metal Jacket be anything but mere attitude—death-enthralled chic?
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Full Metal Jacket
Faithfulness: A “Vision” of Stanley Kubrick’s Last Three Films – by Richmond B. Adams
14/11/2018
Stanley Kubrick, it appears, has raised many of the same questions through his films as Nathaniel Hawthorne did with his writing. In fact, they seem to share similar psychologically based images despite being separated by 100 years and Kubrick’s use of a medium that Hawthorne never experienced.
CIMINO, KUBRICK E IL GIOCO DELL’IDENTITÀ E DELLA DIFFERENZA – di Guido Barlozzetti
22/04/2018
Da Nang è lontana da Montelepre. La storia di Salvatore Giuliano e la guerra del Vietnam non si consumano sotto lo stesso cielo. Ma, forse, le traiettorie della “blindatissima” Full Metal Jacket e la parabola fatale del Siciliano attraversano lo “stesso” cinema.
Full Metal Jacket: Blank Cartridge – Review by Stanley Kauffmann
02/03/2018
Full Metal Jacket betrays Kubrick’s avant-garde admirers.
Stanley Kubrick: La Soggettiva Del Cadavere – di Vito Zagarrio
09/02/2018
La Storia, diceva ancora Baudrillard, è uno scenario rétro, è un “cadavere” che si può mettere in scena, un “fossile” che può essere rappresentato e “simulato”. «La Storia fa così il suo ingresso trionfale nel cinema a titolo postumo». Baudrillard notava come questa riapparizione della Storia non avesse un valore di presa di coscienza, ma di nostalgia di un referente perduto.
FULL METAL JACKET: THE WHOLE WORLD IS WATCHING – Review by Bruce Kawin
01/01/2018
Full Metal Jacket is not cold. It is not bitter. It is not distanced from its subject. It does not suffer from too many retakes, nor from an excess of directorial control. It is moving. It is angry and fast. It is, at times, hilarious.
STANLEY KUBRICK: THE ROLLING STONE INTERVIEW (1987)
01/09/2017
The last formal interview Stanley Kubrick gave was in London in 1987 as part of the publicity campaign for “Full Metal Jacket”. By Tim Cahill of Rolling Stone magazine
STANLEY KUBRICK: AT A DISTANCE – Interview by Lloyd Rose
28/08/2017
by Lloyd Rose PINEWOOD GREEN, ENGLAND – The board room at Pinewood Studios is disturbingly baroque. The ceiling sags with chandeliers. Gilt-edged paneling dresses every
Full Metal Jacket (1987) – Review by Janet Maslin [The New York Times]
05/07/2017
Stanley Kubrick’s Full Metal Jacket establishes its grip on the viewer’s attention instantaneously, with an opening scene in which young recruits are shorn by an off-screen Marine Corps barber, while a corny, lulling song is heard in the background (“Kiss me goodbye and write me when I’m gone/Goodbye sweetheart, hello Vietnam”).
FULL METAL JACKET: RECENSIONE – di Fernaldo Di Giammatteo [Il Castoro Cinema]
06/04/2017
Saggio critico di Fernaldo Di Giammatteo su “Full Metal Jacket”, pubblicato nel numero monografico su Stanley Kubrick della collana Il Castoro Cinema
FULL METAL KUBRICK – UN DOSSIER PROVVISORIO di Paolo Cherchi Usai
21/01/2017
Full Metal Jacket (1987) di Stanley Kubrick. Recensione di Paolo Cherchi Usai, in “Segnocinema”, n. 31, 1988
FULL METAL JACKET: KUBRICK’S ULTERIOR WAR
21/01/2017
Stanley Kubrick’s “Full Metal Jacket” review published in Film Comment, September/October 1998. By Robert Castle and Stephen Donatelli
Full Metal Jacket (1987) | Review by Pauline Kael
19/01/2017
Chances are that when Stanley Kubrick’s Vietnam film Full Metal Jacket is at midpoint a lot of moviegoers will be asking themselves what it’s going to be about, and when it’s over they still won’t know.
FULL METAL JACKET: PAINT IT BLACK – Essay by Michael Klein
14/01/2017
Stanley Kubrick’s Full Metal Jacket (1987) presents a very different vision of the Vietnam War, one with enhanced perspective.
FULL METAL JACKET: Review by Terrence Rafferty for “The Nation”
11/01/2017
Full Metal Jacket certainly isn’t what we expect a Vietnam movie to be. Then again, it’s only secondarily a movie about the war. First and foremost, this is a Kubrick movie
FULL METAL JACKET: L’OSSESSIONE SENZA FINE DELLA GUERRA IN VIETNAM
04/01/2017
Forse l’America ha trovato il sistema per esorcizzare una guerra dolorosamente perduta: basta continuare a combatterla al cinema, all’infinito.
FULL METAL JACKET: KUBRICK E I ‘MINISTRI DI MORTE’
04/01/2017
Tullio Kezich recensisce il nuovo film di Stanley Kubrick “Full Metal Jacket”. Pubblicato in La Repubblica, 10 ottobre 1987
FULL METAL JACKET: CYNIC’S CHOICE
03/12/2016
September 1987 issue of American Cinematographer, detailing the making of Stanley Kubrick’s film ‘Full Metal Jacket’.
FULL METAL JACKET: REMOTE CONTROL
01/12/2016
Review of Stanley Kubrick’s “Full Metal Jacket”, by Terrence Rafferty, in Sight and Sound, Autumn 1987
Full Metak Jacket | Recensione di Giovanni Grazzini
08/11/2016
A trent’anni dal suo Orizzonti di gloria, che resta un pilastro del cinema antimilitarista, e a una ventina da Stranamore, ecco Kubrick ancora sparare a zero contro chi scatena l’istinto omicida dell’uomo
Male Bonding, Hollywood Orientalism, and the Repression of the Feminine in Kubrick’s Full Metal Jacket
08/11/2016
Susan White investigates the problem of gender in Kubrick’s “Full Metal Jacket”
FULL METAL JACKET Review by Todd McCarthy
28/10/2016
Todd McCarthy reviews Stanley Kubrick’s “Full Metal Jacket” for Variety magazine in 1987
KUBRICK – BY MICHAEL HERR
27/10/2016
The screenwriter of “Full Metal Jacket”, Michael Herr, pays homage to his longtime friend, director Stanley Kubrick
FULL METAL JACKET – Speciale “Filmcritica”
15/10/2016
Speciale della rivista “Filmcritica” pubblicato nel 1987 in occasione dell’uscita del film di Stanley Kubrick “Full Metal Jacket”
Full Metal Jacket – Speciale Cineforum
30/06/2016
Speciale sul film di Stanley Kubrick “Full Metal Jacket”, pubblicato dalla rivista Cineforum nel 1987.
FULL METAL JACKET, HAMBURGER HILL AND THE VIETNAM WAR
21/05/2016
One dark legacy of the nation that had still not been put to rest by this time was the Vietnam War, which is evident in Stanley Kubrick’s Full Metal Jacket and in the other notable combat film of the year, John Irvin’s Hamburger Hill.