THE DEER HUNTER – Review by Vincent Canby [The New York Times]
18/01/2017
Vincent Canby reviews Michael Cimino’s “The Deer Hunter” for The New York Times, December 15, 1978
Menu
MOVIES
Gangs of New York: America of Scorsese
17/01/2017
Gangs of New York (2002) di M. Scorsese. Contributi critici di F. La Polla, F. Cattaneo, E. Morreale, A.G. Mancino e A. Piccardi. Cineforum 423, marzo 2003
Il pianista (2002) – Recensioni di Emanuela Martini e Francesco Cattaneo
17/01/2017
Contributi critici di Emanuela Martini e Francesco Cattaneo. In “Cineforum” 421, gennaio 2003
IL SIGNORE DEGLI ANELLI: LE DUE TORRI – IL CREPUSCOLO DEGLI EROI
16/01/2017
Nella Terra di Mezzo, il Male sta dilagando; le sue schiere si rafforzano e si infittiscono, mentre il minuscolo esercito del Bene è disperso e confuso.
A.I. Intelligenza Artificiale: Un Mondo Senza Pietà – Speciale Cineforum
16/01/2017
“A.I.” delinea l’immagine di un mondo (futuro?) in cui “nascere” robot aiuta forse a capire, ma non a sconfiggere il destino di solitudine e silenzio che incombe sulla specie umana
RETAKE: THE FILMS OF ABBAS KIAROSTAMI
14/01/2017
Rereading articles in ‘Positif’ on Iranian cinema recalls opportunely that the appearance on the international scene of Abbas Kiarostami was not without precedence: the soil of Iran was already cinematographically fertile
FULL METAL JACKET: PAINT IT BLACK – Essay by Michael Klein
14/01/2017
Stanley Kubrick’s Full Metal Jacket (1987) presents a very different vision of the Vietnam War, one with enhanced perspective.
L’ANNO DEL DRAGONE: RECENSIONE DI ‘SEGNO CINEMA’
13/01/2017
Cimino fa sollevare le comunità cinesi d’America per la sua ritrattistica di una mafia gialla che tesaurizza tutta l’iconografia hollywoodiana in materia, da Fu Manchu in poi
ARANCIA MECCANICA (RIEDIZIONE, 1998) – Recensioni italiane
12/01/2017
Raccolta di recensioni italiane pubblicate in occasione della riedizione del film di Stanley Kubrick ‘Arancia meccanica’ nel 1998
THE SHINING: Review by Robert Hatch for “The Nation”
12/01/2017
I am not certain what it means to call Stanley Kubrick’s The Shining “the first epic horror film,” as the ads are quoting Jack Kroll of Newsweek, but surely it is one of the strangest of them.
FULL METAL JACKET: Review by Terrence Rafferty for “The Nation”
11/01/2017
Full Metal Jacket certainly isn’t what we expect a Vietnam movie to be. Then again, it’s only secondarily a movie about the war. First and foremost, this is a Kubrick movie
Robin Williams: Playboy Interview (1992)
11/01/2017
In 1992, the actor-comedian revealed the wonderful agony of stand-up, the perils of a life in Hollywood, and manic temptations that came with his Oscar-nominated gifts
EYES WIDE SHUT: L’ULTIMA LUCCICANZA DI KUBRICK
11/01/2017
Recensioni di ‘Eyes Wide Shut’ pubblicate sulla rivista Duel, n.74, Ottobre 1999. Contributi critici di Ezio Alberone, Gianni Canova e Mario Sesti
STANLEY KUBRICK RAPS – Interview by Charlie Kohler
10/01/2017
Interviewer Charlie Kohler met with Kubrick in an MGM conference room surrounded by posters and stills from 2001. Kubrick was eager to discuss his new film.
BODIES IN SPACE: FILM AS CARNAL KNOWLEDGE – by Annette Michelson
10/01/2017
Annette Michelson in her famous 1969 essay, Bodies in Space: Film as ‘Carnal Knowledge’ in which she explored the phenomenal impact of 2001: A Space Odyssey
The Making of Howard Hawks ‘Sergeant York’
09/01/2017
Todd McCarthy on Howard Hawk’s movie “Sergeant York” (1941), the story of Alvin C. York, one of the most decorated soldiers in American history
2001: ODISSEA NELLO SPAZIO – di Enrico Ghezzi [Il Castoro Cinema]
06/01/2017
Il 1968 fu un anno memorabile. Il primo Giro vinto da Eddy Merckx, Beamon che a Città del Messico salta 8,90 in lungo, il Maggio, Praga. Inoltre, esce 2001: Odissea nello spazio
Pauline Kael on ‘2001: A Space Odyssey’
05/01/2017
Pauline Kael’s infamous review of ‘2001: A Space Odyssey’, where she referred to the movie as “trash masquerading as art” and “monumentally unimaginative.”
Bonnie And Clyde (1967) – Review By Pauline Kael
04/01/2017
How do you make a good movie in this country without being jumped on? Bonnie and Clyde is the most excitingly American American movie since The Manchurian Candidate.
BEHIND THE CAMERAS ON “THE SHINING”
04/01/2017
August 1980 issue of American Cinematographer magazine, including an interview with John Alcott and an article on the use of Garrett Brown’s invention, the steadicam, in The Shining.
FULL METAL JACKET: L’OSSESSIONE SENZA FINE DELLA GUERRA IN VIETNAM
04/01/2017
Forse l’America ha trovato il sistema per esorcizzare una guerra dolorosamente perduta: basta continuare a combatterla al cinema, all’infinito.