Raging Bull began as Robert De Niro’s obsession, but the only man he believed could film it, Martin Scorsese, wasn’t interested—until the director’s near-fatal collapse gave him a visceral connection with the story of troubled boxing champion Jake La Motta.
Recensione del film di Stanley Kubrick “Il Bacio dell’assassino”, di Tullio Masoni. Pubblicato in Cineforum n. 347, Settembre 1995
Review of Stanley Kubrick’s Barry Lyndon, written by Pauline Kael and published in The New Yorker, December 29, 1975
Speciale Arancia Meccanica pubblicato dalla rivista Cineforum nel 1973
Recensione del film di Michael Cimino “Il Cacciatore”, pubblicata sul quotidiano l’Unita’ il 28/02/1979
Saggio critico di Enrico Ghezzi su “Orizzonti di Gloria”, pubblicato nel numero monografico su Stanley Kubrick della collana Il Castoro Cinema
Review of Michael Cimino’s The Deer Hunter, written by Pauline Kael and published in The New Yorker, December 18, 1978
There is no excerpt because this is a protected post.
Prefazione di Vladimir Nabokov alla pubblicazione italiana della sceneggiatura che ha scritto adattando il suo romanzo. Kubrick utilizzerà ben poco di questa versione ma lascerà ugualmente a Nabokov il credit di unico autore dello script
Raccolta di recensioni italiane dell’ultimo film di Stanley Kubrick, Eyes Wide Shut (1999)
Speciale sul film di Stanley Kubrick “Full Metal Jacket”, pubblicato dalla rivista Cineforum nel 1987.
Barry Lyndon (1976) movie review by Penelope Houston, Sight and Sound, Spring 1976
Review and analysis of Stanley Kubrick’s 2001: A Space Odyssey, published by the Italian magazine Cineforum N.82, February 1969
The film is set in Budapest towards the end of the Second World War. Four middle-aged men, conspicuously ordinary and everyday, meet up to drink at an inn…
Wind up the Lolita doll and it goes to Hollywood and commits nymphanticide. Director Stanley Kubrick and Novelist-turned-Scriptwriter Vladimir Nabokov shadow the plot of Nabokov’s
Oriana Fallaci interviewed Alfred Hitchcock in 1963 when his movie The Birds screened in Cannes
In the following essay. Manchel examines the protagonist of The Shining. Jack Torrance, contending that “there are mitigating circumstances for his diabolical role in the disintegration of his family.”
Il regista è morto a 70 anni. Una vita segregata piena di misteri e fobie. Nei suoi film le angosce di mezzo secolo.
Why haven’t you seen it yet… and why you ought to WHILE ON THE SCENE AT CANNES, THE AUTHOR STUMBLED UPON—WELL, NOT GOLD, EXACTLY, BUT
Spartacus had a powerful star and a politically committed screenwriter. So how did Stanley Kubrick put his personal stamp on the film, asks Henry Sheehan?
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