Barry Lyndon (1975) – Daylight Robbery Scene
Explore Kubrick’s Barry Lyndon screenplay: the iconic daylight robbery scene where Captain Feeney robs Redmond Barry with wit, civility, and unsettling inevitability.
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Explore Kubrick’s Barry Lyndon screenplay: the iconic daylight robbery scene where Captain Feeney robs Redmond Barry with wit, civility, and unsettling inevitability.
Barry Lyndon is utterly the opposite of the loose, improvised movies which are so popular with many critics these days. Every detail of it…
Beautiful pictures are not film style. Kubrick’s latter-day work is solipsist and smug, isolated and sterile. For me Barry Lyndon is an anti-film, a…
Barry Lyndon mette in scena una società violenta, ferocemente classista, dove l’avventuriero gode di una libertà effimera e viene presto emarginato e distrutto. Arricchito…
Since the recognized success of Dr. Strangelove, objections to Kubrick's obscurity, his enigmatic mind, his bleak view of man, his simplistic view of life,…
Barry Lyndon non ha bisogno di chiamarsi Settecento. Se il titolo in Bertolucci indica l’intenzione astratta di definire storicamente quello che – dalla schematica…
So Barry Lyndon is a failure. So what? How many “successes” have you seen lately that are half as interesting or accomplished, that are…
Barry Lyndon is a leisurely, serious, witty, inordinately beautiful, premium-length screen adaptation of William Makepeace Thackeray's first novel, The Memoirs of Barry Lyndon, Esq.,…
Barry Lyndon, Stanley Kubrick's handsome, assured screen adaptation of William Makepeace Thackeray's first novel, is so long and leisurely, so panoramic in its narrative…
Director Benjamin Ross, whose debut feature is The Young Poisoner’s Handbook, celebrates the drama of failure in Stanley Kubrick’s Barry Lyndon
Lontano dal cinema di formule e procedimenti a cui rimanda soltanto per la sua mole produttiva, Barry Lyndon si situa in quella zona dove…
In this essay, Michael Klein elucidates the unique nature of Kubrick's modernist perspective, as evinced in Barry Lyndon
Barry Lyndon is the loveliest of Stanley Kubrick's films. Indeed, it's the one Kubrick movie that could even invite that adjective (or epithet).
Stanley Kubrick's film Barry Lyndon, spectacular as it is, flies in the face of an audience's usual expectations about "costume drama" as a cinematic…
In this lavishly mounted epic, Stanley Kubrick captures the ghostly ephemerality of a vanishing world with paradoxical immediacy.
In a December 1975 cover story, TIME Magazine examines Barry Lyndon and the many paradoxes of Stanley Kubrick, covering the filmmaker’s Herculean task in…
Kubrick's Barry Lyndon is a lot more than a substitute for an allbutforgotten tale. The movie also translates the printed page into art for…
Dilys Powell review of Stanley Kubrick's 'Barry Lyndon'
John Hofsess reviews Stanley Kubrick's 'Barry Lyndon' for The New York Times
An Irish rogue wins the heart of a rich widow and assumes her dead husband’s position in 18th Century aristocracy.
Since the completion of 2001: A Space Odyssey, Stanley Kubrick has repeatedly suggested that his films are inapplicable to verbal formulations. "I tried to create a visual experience,"…
Interview with Director of Photography John Alcott Among all the film-makers of the world, there is no one quite like Stanley Kubrick. To be…
Avvisaglie della fine impossibile di Francesco Cattaneo «…è l’individuo tale quale, elementare e tortuoso, vomitato dal Caos in piena Versailles“. E.M. Cioran (1). «La…
Recensione di Francesco Bolzoni a Barry Lyndon (1975) di Stanley Kubrick. La recensione è apparsa in «Rivista del Cinematografo», nel 1976
Stanley Kubrick's Barry Lyndon special published by Italian magazine Cineforum n.160, December 1976
I doubt if there could be a grander looking film than Stanley Kubrick's eagerly awaited three hour adaptation of Thackeray's Barry Lyndon. Stop it…
Review of Stanley Kubrick's Barry Lyndon, written by Pauline Kael and published in The New Yorker, December 29, 1975
Barry Lyndon (1976) movie review by Penelope Houston, Sight and Sound, Spring 1976