Wim Wenders

Once Upon a Time in the West – Review by Wim Wenders

I don’t want to see any more Westerns. This one is the very end, the end of a craft. This one is deadly . . . Leone’s film is completely indifferent towards itself. All it shows the unconcerned viewer is the luxury that enabled it to be made

The American Friend (1977)

The American Friend – Review by Pauline Kael

Angst-dark primary colors—reds and blues so intense they’re near­psychedelic, yet grimy, rotting in the thick, muggy atmosphere. Cities that blur into each other. Characters as figures in cityscapes or as exiles in rooms that are insistently not home. And, under it all, morbid, premon­itory music.