There is very little about the book — although this very little is quite important — that is prophetic. At least three-quarters of what Orwell narrates is not negative utopia, but history.
Il terribile libro di Orwell ha segnato il nostro tempo, gli ha fornito una immagine ossessiva, la minaccia di un millennio assai prossimo, e dicendo “quel giorno verrà…” ci ha impegnato tutti nell’attesa di quel giorno.
I bambini dei “Peanuts” di Charles M. Schulz ci toccano da vicino perché in un certo senso sono dei mostri: sono le mostruose riduzioni infantili di tutte le nevrosi di un moderno cittadino della civiltà industriale.
Eco’s novel is not only an entertaining narrative of a murder investigation in a monastery in 1327. It is also a chronicle of the 14th century’s religious wars, a history of monastic orders and a compendium of heretical movements.
In the following excerpt, originally published in Italian in 1965, Eco offers a detailed examination of the narrative formula that Fleming employed in all the Bond novels, a strategy Eco regards as “the basis of the success of the ‘007’ saga. ”
It is moralistic to assert that political discourse must be freed of rhetorical techniques in order to relate to the truth. Running a city is a question of opinions, and it is in relation to this plurality of opinion that the game of reciprocal persuasion must be played.
There is no excerpt because this is a protected post.
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