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2001: A Space Odyssey – Kubrick’s Cosmos

Stanley Kubrick’s potentially majestic myth about man’s first encounter with a higher life form than his own dwindles into a whimsical space operetta, then frantically inflates itself again for a surreal climax in which the imagery is just obscure enough to be annoying, just precise enough to be banal.

2001: A Space Odyssey - The monolith

READING STANLEY KUBRICK: A THEOLOGICAL ODYSSEY

Kubrick’s films should be ‘read’ as opposed to ‘viewed’. Too often, the notion of film as something we view rather than read results in a great loss of riches that film by directors such as Kubrick have to offer.

2001: A Space Odyssey

2001: KUBRICK IN SPACE – Essay by Stephen Mamber

The pretentiousness of 2001: A Space Odyssey has been a considerable obstacle to appreciating its status as masterpiece. The collaboration with Arthur C. Clarke and Kubrick’s own statements about the film have obviously obscured how deeply it connects to the rest of his work.

2001: ODISSEA NELLO SPAZIO: Recensione di Fernaldo di Giammatteo

Il caso di 2001: A Space Odyssey, film di enorme successo e di enorme sfortuna, è uno dei più clamorosi. Tanti furono i sofismi che ne accolsero l’uscita da indurre lo stesso Stanley Kubrick a fornire, un poco infastidito, la sua semplice spiegazione

A SKELETON KEY TO 2001 – by Don Daniels [Sight and Sound]

The young cult for Stanley Kubrick’s 2001: A Space Odyssey now has its HolyWrit. The second 70 mm. release of the movie was accompanied by a collection entitled The Making of Kubrick’s ‘2001’ and edited, with the cooperation of the director, by Jerome Agel.

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