Spartacus ha il pregio di inserire una voce autentica nella grande produzione di Hollywood e dunque di incidere sul gusto di milioni di spettatori e di dimostrare che incassi ed impegno d’arte non sono per forza in contraddizione fra loro.
by Eugene Archer Critics have always debated the correct way to apportion the credit for a multi-million-dollar production among producers, writers, actors and corps of technicians, but Stanley Kubrick, the youthful director of Spartacus, has no such doubts. If any critical bouquets are available after the elaborate costume spectacle opens [...]
EPIC FILMS ANCIENT AND MODERN A week of epics. It is true that neither Spartacus (Gaumont) nor The Guns of Navarone (Regal) conform to Bible thumping traditions but as both last for over three hours, including intermissions for the audience to recuperate on orange squash, and are littered with stars, [...]
by Gordon Braden Roman History at the Movies At the end of Ridley Scott’s film Gladiator (2000), the mortally wounded Maximus (Russell Crowe), having killed the psychopathic emperor Commodus in gladiatorial combat in the Colosseum, speaks to the suddenly silent crowd: “There was a dream that was Rome. It shall [...]
Seen today, in the lovingly restored 197-minute version now playing at the Ziegfeld, the two-tiered historical pageant that is Spartacus says at least as much about America in the late 1950's as it does about ancient Rome.