Movies and Censorship: Stanley Kubrick’s “Spartacus”

2019-12-23T09:52:36+00:00December 23rd, 2018|CINEMA|

SUMMARY  Spartacus is based on an historical figure and is the story of the rise and fall of a slave living in Rome before the birth of Jesus Christ. Spartacus is rescued from working in an open-pit mine by a gladiator trainer, Batiatus, who sees that the slave has a [...]

Spartacus (1960) – Recensione di Ernesto G. Laura

2019-12-01T17:46:22+00:00March 2nd, 2018|CINEMA|

Spar­tacus ha il pregio di inserire una voce autentica nella grande produzione di Hollywood e dunque di incidere sul gusto di milioni di spettatori e di dimostrare che incassi ed impegno d’arte non sono per forza in contraddizione fra loro.

Spartacus (1960) – Review by Eugene Archer

2019-12-01T17:53:52+00:00August 30th, 2017|CINEMA|

Hailed in Farewell by Eugene Archer Critics have always debated the correct way to apportion the credit for a multi-million-dollar production among producers, writers, actors and corps of technicians, but Stanley Kubrick, the youthful director of Spartacus, has no such doubts. If any critical bouquets are available after the elaborate [...]

SPARTACUS (1960) and THE GUNS OF NAVARONE (1961) – The Guardian Review

2017-08-30T08:36:37+01:00August 30th, 2017|CINEMA|

EPIC FILMS ANCIENT AND MODERN A week of epics. It is true that neither Spartacus (Gaumont) nor The Guns of Navarone (Regal) conform to Bible thumping traditions but as both last for over three hours, including intermissions for the audience to recuperate on orange squash, and are littered with stars, [...]


2017-05-03T16:54:48+01:00May 3rd, 2017|CINEMA|

by Gordon Braden Roman History at the Movies At the end of Ridley Scott’s film Gladiator (2000), the mortally wounded Maximus (Russell Crowe), having killed the psychopathic emperor Commodus in gladiatorial combat in the Colosseum, speaks to the suddenly silent crowd: “There was a dream that was Rome. It shall [...]

The Two Messages of ‘Spartacus’ – by Janet Maslin

2019-11-10T11:39:51+00:00April 26th, 2017|CINEMA|

Seen today, in the lovingly restored 197-minute version now playing at the Ziegfeld, the two-tiered historical pageant that is Spartacus says at least as much about America in the late 1950's as it does about ancient Rome.