Movie reviews

A CLOCKWORK ORANGE (1972) – Review by Richard Schickel

For a director like Stanley Kubrick, a novel like Anthony Burgess’s A Clockwork Orange must have seemed an irresistible challenge. Kubrick is essentially a daring imagist, yet he has twice before been tempted by projects that pose powerful problems of language for the film maker.

The Great Dictator (1940) – Review by Dilys Powell

After nearly thirty years, then, of playing one character in one set of clothes, Chaplin takes on a double role. The subject of the film is thus new to him, or shall we say it is a new and advanced branch of his old subject, the dictatorship of the powerful and cruel over the humble and the dispossessed?