Can the sentiment of Stanley Kubrick’s Full Metal Jacket be anything but mere attitude—death-enthralled chic?
Protected: Arthur Schnitzler: Doppio sogno – Testo Italiano Completo
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Kubrick has, in one big jump, discovered new possibilities for the screen image. He took on a large challenge, and has met it commendably.
A Clockwork Orange is a characteristically frosty piece of film-making, shorn completely of sentiment, working through brilliant ironies and dazzling dramatic ideas that please us, provoke our laughter, galvanize our intellects, win our admiration—but never touch our hearts.
The Shining doesn’t scare. The only pang in it is that it’s another step in Kubrick’s descent.