Pier Paolo Pasolini: Accattone – Saggio di Serafino Murri

2018-09-07T15:46:34+00:00September 7th, 2018|Categories: CINEMA|Tags: , , , |

Pasolini nel girare Accattone, metteva le mani in una ferita aperta nella pseudo-coscienza borghese, quella dell’esistenza di due Italie, una ufficiale, l’Italia da esportazione, onesta, né povera né ricca ma allegra e sincera, e un’Italia miserrima, in cui tutto, dalla lingua ai codici morali, era fermo ad un passato mai risolto di carognesca vitalità senza scampo.

ACCATTONE: POET AND THE PIMP – Review by Stanley Kauffmann

2018-02-08T13:05:59+00:00February 8th, 2018|Categories: CINEMA|Tags: , , , , |

Accattone lives as a work of narrow but intense vision—a film about viciousness and criminality that evokes compassion. Its style is neorealist: it was made on locations, not in studios, with nonprofessional performers. Sometimes this method makes merely vernacular films, but it gives Accattone a grainy, gripping authenticity.