Chaplin Interviewed by Richard Meryman (1966)

2019-12-09T00:36:34+00:00December 9th, 2019|Categories: CINEMA|Tags: , , , |

In 1966, Chaplin granted several extensive interviews to journalist Richard Meryman for a Life magazine article to promote 'A Countess from Hong Kong.' Only a small portion of Meryman's taped interviews was ever published. A copy of the complete transcript, from which this excerpt was taken, is preserved in the Chaplin Archives.

DELIVERANCE (1972) – Review by Richard Schickel

2018-02-20T16:12:34+00:00February 20th, 2018|Categories: CINEMA|Tags: , , , , |

I suspect that James Dickey, who adapted his best-selling novel Deliverance for the screen, and John Boorman, who directed it, are trying to tell us something fairly important by subjecting four sober, settled, middle-class gentlemen in their thirties to a series of wilderness trials that test their courage and cunning in a manner we usually associate with the initiation of adolescents into primitive tribes.


2018-02-03T19:23:51+00:00February 3rd, 2018|Categories: CINEMA|Tags: , , , , , |

There’s nothing fun or funny to be found here. It offers us only the absorption of good acting and good storytelling combined with a plausible anthropology of a strange, terribly relevant culture. What more could we possibly want from a movie? How often, these days, do we get anything like all that?

A CLOCKWORK ORANGE (1972) – Review by Richard Schickel

2017-12-21T13:35:23+00:00August 11th, 2017|Categories: Uncategorised|Tags: , , , , |

For a director like Stanley Kubrick, a novel like Anthony Burgess's A Clockwork Orange must have seemed an irresistible challenge. Kubrick is essentially a daring imagist, yet he has twice before been tempted by projects that pose powerful problems of language for the film maker.

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