CLASS AND ALLEGORY IN CONTEMPORARY MASS CULTURE: ‘DOG DAY AFTERNOON’ AS A POLITICAL FILM – by Fredric Jameson
Dog Day Afternoon seems to have a great deal more overt political content than we would normally expect to find in a Hollywood production.
HISTORICISM IN “THE SHINING” by Fredric Jameson
Kubrick’s adaptation of King's novel, while it maintains elements necessary to cue the genre of the horror film, expands King’s work of popular entertainment into a thoroughly postmodern work of art.