By taking a book by an author who is at the center of the craze for the supernatural, and turning it into a refusal of and subtle comment on that loopy cultural phenomenon, Kubrick has made a movie that will have to be reckoned with on the highest level
This excruciatingly violent, three-hour Viet Nam saga demolishes the moral and ideological cliches of an era: it shoves the audience into hell and leaves it stranded without a map.
"When the legend becomes fact," says the canny newspaper editor in John Ford's The Man Who Shot Liberty Valance, "print the legend." Sam Peckinpah is a filmmaker dedicated to telling truths and still preserving the legend of the American West. In feature films (Ride the High Country, Major Dundee) and [...]
by Richard Schickel FIRST PARADOX: Barry Lyndon, a story of an 18th century Irish gentleman-rogue, is the first novel of a great 19th century writer, William Makepeace Thackeray. It shows early signs of a genius that would nourish only after creative struggle and personal adversity. In time, this forgotten book [...]