Jeremiah kidnaps Joanne. Cole aids Dwight’s raid on the estate. Dwight rescues her, burns Jeremiah alive, and secures his alcohol license. The crew survives unscathed.
“The Watchmaker” targets a political dinner with a bomb. Samuel L. Jackson guest stars as Russell, sent to kill Dwight. The bomb explodes, and Dwight plots his final revenge.
Dwight confronts the FBI over The Watchmaker, then traps the killer in a mausoleum. He races to save Margaret from a bomb The Watchmaker planted, saving her as it explodes.
Dwight outsmarts rivals as his distillery faces shutdown. He traps Sackrider, topples Jeremiah, and restores power, while his young crew’s risky schemes hint at future trouble.
Dwight scrambles to keep his bourbon business alive, organizing covert shipments while facing threats from Dunmire and Quiet Ray.
Dwight navigates heist betrayal & stolen goods recovery. Launch party turns deadly: health inspector raid, Leery crushed under barrels by Bigfoot, Bill arrested mid-trust talk. Schemes fracture alliances.
Dwight leads efforts to get back bourbon taken by Dunmire, while Tyson finds redemption and Quiet Ray returns.
Dwight must collaborate with Agent Musso to stop a terrorist.
Dwight faces threats from Jeremiah Dunmire and the Dixie Mafia while trying to secure distribution for a hidden stash of fifty-year-old bourbon.
Dwight deals with threats from law enforcement and rival gangs while trying to secure a distillery deal.
The film, directed by John G. Avildsen, is a patchwork of old movie bits, yet it’s emotionally effective and engaging. Stallone’s performance exudes a street-wise innocence that wins over the audience.
Armed with every weapon they can get their hands on, the Expendables are the world’s last line of defense and the team that gets called when all other options are off the table.
A young boy learns that a superhero who was thought to have gone missing after an epic battle twenty years ago may in fact still be around.
Rambo: First Blood Part II explodes your previous conception of “overwrought”—it’s like a tank sitting on your lap firing at you. Jump-cutting from one would-be high point to another, Rambo is to the action film what Flashdance was to the musical, with one to-be-cherished difference: audiences are laughing at it.
Get the best articles once a week directly to your inbox!