When the brilliant but unorthodox scientist Dr. Victor Frankenstein rejects the artificial man that he has created, the Creature escapes and later swears revenge.
The early life and career of Vito Corleone in 1920s New York City is portrayed, while his son, Michael, expands and tightens his grip on the family crime syndicate.
The story of Henry Hill and his life in the mafia, covering his relationship with his wife Karen and his mob partners Jimmy Conway and Tommy DeVito.
A mentally unstable veteran works as a nighttime taxi driver in New York City, where the perceived decadence and sleaze fuels his urge for violent action.
A group of high-end professional thieves start to feel the heat from the LAPD when they unknowingly leave a verbal clue at their latest heist.
In Las Vegas, two best friends–a casino executive and a Mafia enforcer–compete for a gambling empire and a fast-living, fast-loving socialite.
Comedian Max co-parents autistic son Ezra with ex-wife Jenna. Faced with crucial decisions about Ezra’s future, Max and Ezra go on a life-changing cross-country road trip.
Rupert Pupkin’s monologue is a pivotal moment that showcases his character’s blend of humor, desperation, and delusion, revealing the lengths he’s willing to go to for a chance at stardom.
Explore the iconic restaurant scene in ‘Heat’ (1995) where De Niro and Pacino deliver a masterclass in acting
Recensioni italiane di “Killers of the Flower Moon”, il film del 2023 diretto da Martin Scorsese. La pellicola è l’adattamento cinematografico del romanzo “Gli assassini della terra rossa” scritto da David Grann, a sua volta tratto da fatti realmente accaduti.
Night and the City is based on a Jules Dassin B-movie from 1950 (same title), but its true spiritual antecedent, I suspect, is Sweet Smell of Success, the wonderfully ambivalent melodrama about the pleasures and corruptions of New York night-life in the late fifties, starring Tony Curtis and Burt Lancaster.
Joker Kills Murray On Live TV Show
Robert De Niro’s Rupert Pupkin is Jake La Motta without his fists. In Raging Bull, De Niro and Scorsese had things boiled down, so that Jake’s entire character was the chip on his shoulder. This time there’s no chip.
Raging Bull began as Robert De Niro’s obsession, but the only man he believed could film it, Martin Scorsese, wasn’t interested—until the director’s near-fatal collapse gave him a visceral connection with the story of troubled boxing champion Jake La Motta.
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