Lolita (1962) – Review by Richard Combs

2018-09-14T17:00:18+01:00September 14th, 2017|Categories: CINEMA|Tags: , , , |

The base of Kubrick's fiction is pure abstraction, back-projection or studio mock-up, and the only reality is invested in the comedy-drama of the characters. His Lolita is a film of 'solid' performances - high-key lighting and unstressed direction indeed - particularly in the first half, chez Charlotte Haze, where in long, placid takes the camera observes Humbert's efforts to avoid Charlotte's mating dance while guiltily courting Lolita.