The Homosexual Subtext of Tarantino’s “Reservoir Dogs” (1992)

2019-11-05T16:31:02+00:00November 5th, 2019|Categories: CINEMA|Tags: , , |

Reservoir Dogs is one of many films, past and present, that either flirt with or fully incorporate homosexual innuendo, expand­ing the vast symbolic field that homosexual­ity embraces. Its subtextual strategy mirrors the longstanding suppression and willful concealment of homoerotic desire in our society.

Shepherding the Weak: The Ethics of Redemption in Quentin Tarantino’s ‘Pulp Fiction’

2019-12-08T15:23:50+00:00February 15th, 2018|Categories: CINEMA|Tags: , , |

Although a number of critics in the popular press laud Quentin Tarantino’s Pulp Fiction for its non-linear narrative, quirky performances, and oddly resonant dialogue regarding such issues as hamburgers, television pilot episodes, and foot massages, critics in other circles deride Tarantino’s creation for its extreme violence and lack of moral clarity.

Reservoir Dogs: Redemption in a Postmodern World

2019-12-30T00:21:50+00:00December 29th, 2017|Categories: CINEMA|Tags: , , |

Tarantino is widely recognized as a quintessentially postmodern neo-noir filmmaker. His films are postmodern in the artistic sense, insofar as they are, for example, blends of genres and highly allusive. But they’re also postmodern in terms of the underlying epistemology and the position on morality and values that they take.