Raging Bull: Interview with Martin Scorsese (1981) by Michael Henry
This interview took place in Paris during the night of February 11-12, 1981. A translation of “Nuit blanche et chambre noire” from Positif, April 1981.
This interview took place in Paris during the night of February 11-12, 1981. A translation of “Nuit blanche et chambre noire” from Positif, April 1981.
No other film has ever dramatized urban indifference so powerfully; at first, here, it’s horrifyingly funny, and then just horrifying.
Martin Scorsese interview with Guy Flatley for ‘The New York Times’, December 1973
Nel XVII secolo due giovani missionari portoghesi, padre Rodrigues e padre Garupe, vanno in Giappone alla ricerca del loro mentore padre Ferreira, di cui non si hanno più notizie.
Religious Pulp, or the Incredible Hulk by Pauline Kael As Jake la Motta, the former middleweight boxing champ, in Raging Bull, Robert De Niro wears
What has drawn Scorsese to mix a mafia story with a Biblical epic? The director explains
by Timothy J. Gilfoyle In December 2002, Martin Scorsese’s Gangs of New York opened to critical acclaim. The Chicago Tribune’s Michael Wilmington described the motion
«Cambiano le regole. Quando si fanno le ore piccole è zona franca», dice il simpatico barista a Marcy e Paul, offrendo loro la consumazione, per divenire di lì a poco il burbero, inesorabile proprietario che impone al giovane l’ordinazione.
Martin Scorsese interviewed by David Rensin for Playboy magazine, April 1991
Aching desire and repression and guilt collide in Scorsese’s version of Edith Wharton’s ‘The Age of Innocence’
Gangs of New York (2002) di M. Scorsese. Contributi critici di F. La Polla, F. Cattaneo, E. Morreale, A.G. Mancino e A. Piccardi. Cineforum 423, marzo 2003
Martin Scorsese’s Goodfellas: Interview by Ana Maria Bahiana and Afterword by Raffaele Caputo. From CINEMA Papers, December 1990
In this extract from Schrader on Schrader, a collection of interviews and essays, screenwriter Paul Schrader tells Kevin Jackson about the genesis of Travis Bickle, working with Martin Scorsese and the link between the Coppertone advert and Crime and Punishment
Recensione del film di Martin Scorsese “Gangs of New York” a cura di Gianni Canova. Pubblicata sulla rivista Letture nel Marzo 2003
Raging Bull began as Robert De Niro’s obsession, but the only man he believed could film it, Martin Scorsese, wasn’t interested—until the director’s near-fatal collapse gave him a visceral connection with the story of troubled boxing champion Jake La Motta.
There is no excerpt because this is a protected post.
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