“Films usually attempt to do the future by presenting a rather bleak, pristine, austere, clean look. It could go that way, but I’ve got a feeling it’s going to go the other way.” Ridley Scott is discussing his approach in directing Blade Runner, a detective thriller set forty or fifty years in the future.
Philip K. Dick interviewed while attending the 2eme Festival International de la SF de Metz, Metz, France, September 19-25, 1977
a cura di Gianfranco Graziani Filmcritica: Quali sono state le tappe salienti del tuo incontro con il cinema? Sergio Leone: Il mio rapporto con il
At last, a studio executive who believes in science fiction. Starlog magazine interviews Alan Ladd, Jr.
While audiences have long exhibited a penchant for movies about the future, few people expected today’s science-fiction generation to go wild over a film set 80,000 years in the past. Yet that’s what has happened with Quest for Fire, an ambitious work that portrays primitive man’s attempts to understand and harness the elements around him.
William Gibson is this year’s hungry stranger. He brings to the clubby little world of science fiction a genuinely new perception. His influences are not the safe icons like the Heinleins, but are the harrowing visions of a Robert Stone.
The following conversation with writer Diane Johnson, excerpted from an extended interview conducted by Larry McCaffery, centers on her experience as the scriptwriter for Stanley Kubrick ‘s film The Shining.
A candid conversation with the controversial atheist about the simple beauty of evolution, the improbability of God and why the pope should be arrested
In January 1965, Playboy published Alex Haley’s interview with the Reverend Martin Luther King Jr., shortly after King received the Nobel Peace Prize.
Steven Spielberg parla del suo ultimo film ‘Schindler’s List’ e del suo rapporto con l’ebraismo
by Marjorie Rosen In Hollywood circles the adage, “You’re as good as your last picture,” holds more truth than is comfortable or healthy. It could
Traduzione italiana della celebre intervista rilasciata nel 1968 da Stanley Kubrick a Eric Nordern per la rivista Playboy
A Fable for Adults by Elaine Lomenzo They asked Claude Lelouch which American director he likes the most and he says. “Sergio Leone!”—Sergio Leone It’s
Paul Verhoeven has returned home to Holland for his latest film, Black Book, the harrowing story of a young Jewish woman who finds herself thrown by circumstance into the resistance against the Nazis, where she is asked to pose as a sexy cabaret singer in order to get close to Holland’s head of the SS
The following interview, conducted by Larry French in preparation for his forthcoming book on the films of Roger Corman, centers around that very fruitful period in Price’s career.
Jonathan Cott interviews Federico Fellini for Rolling Stone magazine. The conversation took place in the director’s office in Rome, February 1984
The interview is transcribed from taped material obtained during the shooting of Nostalghia. As well, there are excerpts from conversations that were never recorded, and a brief excerpt from their first 1962 conversation, along with a few other statements made by Tarkovsky
The conversation which follows did not take place all at once. Although I had known Federico Fellini since 1956, we had not actually sat down to discuss his filmmaking ideas and his life philosophy until a few years before his death.
Matt Cherry interviews Christopher Hitchens about his book The Missionary Position: Mother Teresa in Theory and Practice and his television program, which strongly criticized Mother Teresa
Cannes, 1960. El jurado del Festival, influido por Georges Simenon, otorga la Palma de Oro a La Dolce Vita, de Fellini. Es el comienzo de una amistad por correspondencia que llegará a su momento culminante en 1977, cuando escritor y cineasta por fin se encuentran en persona y mantienen la siguiente entrevista después del estreno de Casanova.