Interiors looks so much like a masterpiece and has such a super-banal metaphysical theme (death versus life) that it’s easy to see why many regard it as a masterpiece: it’s deep on the surface.
Three sisters find their lives spinning out of control in the wake of their parents’ sudden, unexpected divorce.
A radical American journalist becomes involved with the Communist revolution in Russia, and hopes to bring its spirit and idealism to the United States.
A film critic obsessed with Casablanca (1942) seeks to get over his wife leaving him by dating again with the help of a married couple and his illusory idol, Humphrey Bogart.
Alvy Singer, a divorced Jewish comedian, reflects on his relationship with ex-lover Annie Hall, an aspiring nightclub singer, which ended abruptly just like his previous marriages.
Albert Finney and Diane Keaton star in Alan Parker’s Shoot the Moon (1982), a searing, beautifully acted portrait of love, heartbreak, and family turmoil.
A mother of four is abandoned by her husband for a younger woman. Husband, wife and children struggle to survive the seemingly inevitable divorce.
The life of a divorced television writer dating a teenage girl is further complicated when he falls in love with his best friend’s mistress.
There wasn’t a single scene in the English director Alan Parker’s first three feature films (Bugsy Malone, Midnight Express, Fame) that I thought rang true; there isn’t a scene in his new picture Shoot the Moon, that I think rings false.
A radical American journalist becomes involved with the Communist revolution in Russia, and hopes to bring its spirit and idealism to the United States.
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