Four prosperous businessmen decide to spend a weekend canoeing a wild river running through essentially untamed country before it all disappears, flooded over by a hydroelectric project already abuilding downstream.
Deliverance, which James Dickey adapted from his own best-selling novel, is one of those rare films that resonates like a literary work but that —rarer still—avoids either being or sounding literary.
John Boorman’s cult film Deliverance is a rape-revenge movie with a difference. Its haunting power lies in what it tries not to show. by Linda Ruth Williams