Charlie Chaplin

Charles Chaplin’s A Woman of Paris

Charles Chaplin’s A Woman of Paris was one of the most influential films of the silent era, occupying a place somewhat equivalent to Citizen Kane in the period of talking films.

Ennio Flaiano: Omaggio a Chaplin

Ho avuto stamane una lettera senza firma. L’anonimo si duole che all’omaggio a Charlie Chaplin, alla Fenice di Venezia, la sera del 3 settembre scorso, non fossero presenti molti registi e autori…

Monsieur Verdoux

Monsieur Verdoux | Review by James Agee

I think Monsieur Verdoux is one of the best movies ever made, easily the most exciting and most beautiful since Modern Times. I will add that I think most of the press…

A Chaplin Overwiew – by Richard Schickel

It is, I think, a measure not merely of Chaplin’s art, but of his really incredible ego, that one simply cannot find an article that presumes to criticize him—or even to view…

Chaplin Interviewed by Richard Meryman (1966)

In 1966, Chaplin granted several extensive interviews to journalist Richard Meryman for a Life magazine article to promote 'A Countess from Hong Kong.' Only a small portion of Meryman's taped interviews was…

Buster Keaton in Cops (1922)

Comedy’s Greatest Era | by James Agee

In 1949, the film critic James Agee published his influential essay “Comedy's Greatest Era,” in which he recounts the golden years of silent comedy and proclaims that the genre’s “four most eminent…

Chaplin: History And Mystery

The Tramp. The Little Fellow. Naturally the obituaries were full of those terms, full of references to the bowler-hatted, cane-swinging, corner-skidding outsider who had become one of the perdurable icons in the…

Chaplin: The Antagonism of the Comic Hero

The following article was published at the time of Chaplin’s death in the periodical La Città Futura by Pietro Ingrao, then the president of the Italian Chamber of Deputies. Although one of…

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