Clint Eastwood: Il mito, le donne, la frontiera
Recensione della biografia “Spettri di Clint, ovvero L’America del mito nell’opera di Eastwood”, di Mariuccia Ciotta e Roberto Silvestri
Recensione della biografia “Spettri di Clint, ovvero L’America del mito nell’opera di Eastwood”, di Mariuccia Ciotta e Roberto Silvestri
Elena Basile’s book critiques Western handling of global conflicts, urging peace and insight into the dynamics of a multipolar world.
Richard Grenier reviews Alice Walker’s “The Color Purple,” probing historical inaccuracies, political views, and the controversial depiction of Africa
Luciano Canfora’s new book shows how war was used by ancient societies to secure resources.
Dear Hannah: I’ve read your book The Origins of Totalitarianism, absorbed, for the past two weeks. It seems to me a truly extraordinary piece of work, an advance in human thought of, at the very least, a decade, and also engrossing and fascinating in the way that a novel is.
America, John Perkins tells us, is a land of innocents, and all we must do to reclaim our purity is to buy a hybrid or write our Congressman. Perkins’s account is neither honest, nor a sound analysis of global world order.
Eco’s novel is not only an entertaining narrative of a murder investigation in a monastery in 1327. It is also a chronicle of the 14th century’s religious wars, a history of monastic orders and a compendium of heretical movements.
The protagonist of this prophetic last work of Guido Morselli is the sole survivor of the human race (H.G. of the title, which is taken from a Latin translation of the neo-Platonic philosopher Iamblichus, stands for humani generis) who ironically has returned to the world after attempting an elaborate mode of suicide in a subterranean lake inside a mountain.
“The Queen’s Gambit” by Walter Tevis is an inspirational novel for intellectuals. It concerns the ever-more-successful career of Beth Harmon, from her early days in the Methuen Home orphanage, an institution as garishly oppressive as Dotheboys Hall in Dickens’s “Nicholas Nickleby,” to her still-youthful triumph over the Russian grandmaster of chess, Vasily Borgov.
Miss Kael’s view of Citizen Kane is in keeping with what she has written before. It is, she says, a ‘shallow masterpiece’. That is to say, she concedes what is undeniable, the power of the film, but denies it profundity because its psychology is unconvincing.
C. S. Forester has two skills which are admirably blended in “The Good Shepherd,” a first-rate novel of World War II. He is able to make us identify ourselves with the tensions and the loneliness of man, this time a man in command of many men. He also is able to make us see and hear and feel action, especially when writing of ships and the sea, so vividly that a powerful sense of participation is inevitable.
This great writer of horror presents a philosophy to curl your hair. It should force you to re-examine the roots of everything that you believe and offer you a freedom you are not likely to find anywhere else.
Having soothed themselves with these comfortable falsehoods, people proceeded on their way to make Orwell’s prognostications come true. Bit by bit, and step by step, the world has been marching toward the realization of Orwell’s nightmares; but because the march has been gradual, people have not realized how far it has taken them on this fatal road.
Joseph Stiglitz’s Globalization and its Discontents has sparked a major critical response since its publication in that it appears to encapsulate widespread doubts about globalization processes and their governance.
The first thing anyone would notice about “We” is the fact – never pointed out, I believe – that Aldous Huxley’s “Brave New World” must be partly derived from it.
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