L’ironia di Kubrick resta sempre fredda, il suo umorismo sereno, forse perciò più toccante. Si limita a prospettare l’eccezionale come raggiunto e quindi divenuto usuale, quotidiano, fine a se stesso.
The pretentiousness of 2001: A Space Odyssey has been a considerable obstacle to appreciating its status as masterpiece. The collaboration with Arthur C. Clarke and Kubrick’s own statements about the film have obviously obscured how deeply it connects to the rest of his work.
Andrew Sarris famously panned Stanley Kubrick’s 2001: A Space Odyssey, then reversed himself after seeing it under the influence.
Dilys Powell reviews ‘2001: A Space Odyssey’ by Stanley Kubrick
2001: IL FILM DI STANLEY KUBRICK Il viaggio interplanetario è un viaggio biologico di Lino Curci Sono giorni di scienza, non di fantascienza. Per la
In the following essay, DeBellis asserts that John Updike’s references to 2001: A Space Odyssey in Rabbit Redux underline the major thematic concerns in the novel.
Paul Schrader reviews Stanley Kubrick’s “2001: A Space Odyssey”. Published in ‘Spectacle’, September 13, 1968
Arthur C. Clarke’s short story “Sentinel of Eternity”, published in 1951 , which was used as a starting point for the novel and movie 2001: A Space Odyssey
Interviewer Charlie Kohler met with Kubrick in an MGM conference room surrounded by posters and stills from 2001. Kubrick was eager to discuss his new film.
Annette Michelson in her famous 1969 essay, Bodies in Space: Film as ‘Carnal Knowledge’ in which she explored the phenomenal impact of 2001: A Space Odyssey
Il 1968 fu un anno memorabile. Il primo Giro vinto da Eddy Merckx, Beamon che a Città del Messico salta 8,90 in lungo, il Maggio, Praga. Inoltre, esce 2001: Odissea nello spazio
Pauline Kael’s infamous review of ‘2001: A Space Odyssey’, where she referred to the movie as “trash masquerading as art” and “monumentally unimaginative.”
In 2001: A Space Odyssey (1968) we are invited by director Stanley Kubrick to experience a mesmerizing yet also alienating form of sensory liberation, as paradoxical as such an experience may at first sound.
Non siamo soli nell’universo. Per convincercene, e umiliare il nostro orgoglio, Stanley Kubrick ha scritto e diretto il più clamoroso e agghiacciante film di fantascienza, o come lui dice, di “prescienza”, che sinora sia apparso sugli schermi del sistema solare.
Avvisaglie della fine impossibile di Francesco Cattaneo «…è l’individuo tale quale, elementare e tortuoso, vomitato dal Caos in piena Versailles“. E.M. Cioran (1). «La luce
Il caso di 2001: A Space Odyssey, film di enorme successo e di enorme sfortuna, è uno dei più clamorosi. Tanti furono i sofismi che ne accolsero l’uscita da indurre lo stesso Stanley Kubrick a fornire, un poco infastidito, la sua semplice spiegazione
The young cult for Stanley Kubrick’s 2001: A Space Odyssey now has its HolyWrit. The second 70 mm. release of the movie was accompanied by a collection entitled The Making of Kubrick’s ‘2001’ and edited, with the cooperation of the director, by Jerome Agel.
2001: A Space Odyssey, a film in which infinite care, intelligence, patience, imagination and Cinerama have been devoted to what looks like the apotheosis of the fantasy of a precocious, early nineteen-fifties city boy.
Stanley Kubrick’s futuristic 1968 epic ‘2001: A Space Odyssey’ still has the power to startle. Mark Crispin Miller re-examines its subversive vision of power, sex and isolation
I think Stanley Kubrick’s 2001: A Space Odyssey is some sort of great film, and an unforgettable endeavor.
Traduzione italiana del famoso saggio di Annette Michelson del 1969 su “2001: Odissea nello spazio” di Stanley Kubrick
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