
Silo – S03E07 – Radio – Review
What the Stars Cost "Radio" runs nearly a third of its length before the opening titles even arrive, and it spends that stretch doing…
The Scraps Index
Criticism, close readings and long-form articles across film, television, books and culture.

What the Stars Cost "Radio" runs nearly a third of its length before the opening titles even arrive, and it spends that stretch doing…

The Queen Who Stopped Asking Rhaenyra opens the season finale sobbing on Daemon's shoulder, undone by news that Aegon and Sunfyre are both alive…

Juliette trades her own clarity for two strangers' lives — and the Algorithm was never planning to honor the deal. A sharp hour in…

Bruno Dumont's new film opens with a boy climbing onto a scooter he cannot possibly drive, next to a girl who cannot drive it…

Larys abandons his king to die. Aegon refuses to run. And Sunfyre — half his face burned away — answers anyway. The season's best-staged…

On its own terms, hour for hour, "Memory" is the best-constructed episode the show has produced all season — dense, propulsive, finally trusting its…

No duel, no songs, no glory — just three arrows. "Faceless Men" denies Criston Cole the death he promised himself, while Rhaenyra weaponizes Alicent's…

Troy strips out every god and bets the whole film on human vanity instead. It's a bet that pays off in the Hector-Achilles duel…

Herzog is a film poet, all right, but he's a didactic film poet, given to heavy folk-art ironies; he says that society puts you…

In this caustic review, John Simon dismantles Pier Paolo Pasolini’s Teorema, mocking its divine stranger, symbolic sexuality, fragmented narration, and critical reputation as empty…

Kael delivers a sharp, witty indictment of contemporary film culture, targeting the perceived intellectual hypocrisy and pretension of mid-century art-house moviegoers and critics.

From the horse half-buried in the sand to Samantha Morton's body-horror Circe, from Hades to the climactic massacre: a scene-by-scene analysis of Nolan's Odyssey…

In Politics and the English Language, George Orwell argues that careless writing, political jargon and ready-made phrases weaken thought, clarity and democratic honesty.

Two timelines, one rule: power deletes what remembers it. Juliette gambles her life in the gassed mines while Camille agrees to a murder she…

Never mind the Cyclops. On the eve of Christopher Nolan's $250 million Odyssey, the only question that matters is three thousand years old: what…

In The White Tiger, servants carry millions in cash and never steal a rupee — not from piety, but terror. An essay on Adiga's…

James Norton's perfumed zealot turns a hostage town into a classroom and a Targaryen boy into his weapon. "Tumbleton" is an hour of prelude,…

By rational standards the movie is flimsy and stupid, but by romantic standards it's delectable. The three talented stars are smashing, and the film's…

This Cinderella story seems to have been concocted by people at the top of the skyscraper who have no fellow-feeling for losers. The film…

Read Pauline Kael's sharp, critical analysis of Woody Allen's Another Woman.

Uwe Boll's cheap, incoherent "Citizen Vigilante" proves a movie doesn't need to be good to go viral — just banned in Germany and posted…

Pixar's "Toy Story 5" is tender, ravishing, and afraid of its own best idea—a movie about obsolescence made by people terrified of becoming obsolete.

Sidney Prescott answers the phone again. Seven films in, Scream 7 knows exactly how it ends before it begins — and so, by now,…

Emerald Fennell's Wuthering Heights dazzles with style but sacrifices Brontë's soul. A review of the film starring Margot Robbie and Jacob Elordi.