The Strangers: Chapter 2 (2025)
Director: Renny Harlin
Writers: Alan R. Cohen, Alan Freedland
Based on: Characters by Bryan Bertino
Stars: Madelaine Petsch, Gabriel Basso, Froy Gutierrez, Ema Horvath, Ella Bruccoleri
Release dates: September 16, 2025 (Hollywood); September 26, 2025 (United States)
Plot: In 2021, in the small town of Venus, Oregon, Carol’s Diner waitress Shelly greets a man named Frank Quintanno, sharing the information she learns about him with an unseen patron. Later that night, Shelly knocks on the door of his motel room and asks if Tamara is home. Some time later, Shelly (Pin-Up Girl), Scarecrow, and Dollface kill Frank in the woods on a rainy night.
In the present day, Maya Lucas is recovering in Venus County Hospital following her encounter with the three masked killers. Her claims are brushed off by the sheriff and his deputy, who try to avoid the involvement of the state and federal police to prevent their cover-ups from being exposed. As night falls, Maya finds herself trapped in the hospital as the strangers pursue her after discovering she is alive. After evading Scarecrow in the morgue, where he kills an orderly, Maya escapes and comes across a horse farm where she seeks help from the owner who is killed by Pin-Up Girl with a crossbow. Maya attacks her with a pitchfork before flagging down Nurse Danica and her roommate Chris Sampson, who are driving home on a nearby road.
Maya agrees to go to their home. On the drive, they encounter their roommates, Gregory and Wayne, walking home in the rain. The two get in the car. Shortly afterwards, Maya jumps out of the car after having a panic attack about the occupants of the car being her attackers. She hides in the woods where she stitches up her opened wounds. Maya comes across an abandoned campsite and starts a fire but is soon attacked by a wild boar who was freed from captivity by Scarecrow. Maya successfully kills the boar and flees back through the woods. Meanwhile, Pin-Up Girl, who was watching Maya, has flashbacks to when she was a child in school with Scarecrow, where she killed another student, Tamara, out of jealousy.
Maya arrives at the cabin where she was attacked by the strangers and changes into new clothes. She is found by Billy Bufford, a state police officer, who tries to help her but is killed by Pin-Up Girl. Maya flees in Bufford’s car, but the engine eventually dies down outside a house belonging to Nurse Danica, Chris, Gregory, and Wayne. They take her in for the night and Gregory tells Maya that she is the only one who has survived the killers. After Gregory leaves the house, Pin-Up Girl and Dollface attack and kill the remaining occupants as well as the private EMT sent to take Maya to Portland.
Maya escapes into the EMT’s ambulance but is ambushed by Pin-Up Girl who was hiding inside. She stabs Pin-Up Girl in the neck with scissors, seemingly killing her. Maya flees in the ambulance, but during the ride, Pin-Up Girl tries to strangle her. Maya intentionally crashes the ambulance, causing Pin-Up Girl to fly out of the windshield, resulting in her death. Maya flees into the woods as Scarecrow and Dollface arrive in their truck. The pair mourn their loss, removing Pin-Up Girl’s mask as Maya watches them from the woods.
* * *
The Strangers: Chapter 2 (2025) | Transcript
(SOMEWHERE BETWEEN BY WILLIE NELSON PLAYING)
Okay. So, Mr. “Hey, sweetie pie,” is from Denver.
Some kind of salesman.
(SOFTLY) His name’s on his shirt.
♪ I love you so much
♪ I can’t let you go
♪ And sometimes
I believe you love me ♪
(SONG ENDS ABRUPTLY)
(KNOCKING ON DOOR)
(KNOCKING CONTINUES)
(DOOR UNLOCKS, OPENS)
(RAIN PATTERING)
Is Tamara here?
(UNEASY MUSIC PLAYING)
(MAN MUTTERING, SOBBING)
(THUNDERCLAP)
MAN: Please.
I have a family.
No. I beg you, please.
Help me, please.
(BLOWS THUDDING)
(MAN GROANING)
(THUNDER RUMBLES)
(MAN CONTINUES GROANING)
MAN: No.
No.
(LOUD CLANG AND GROAN ECHOING)
(GASPS)
WOMAN: Maya?
Maya?
You’re at Venus County Hospital.
I’m Nurse Danica.
I’m Dr. Tate.
Ryan? Ryan? Where’s Ryan?
DANICA: I’m so sorry.
He didn’t make it.
(SOMBER MUSIC PLAYING)
DR. TATE: Unfortunately, he’d lost too much blood.
(SOBBING SOFTLY)
(VOICE BREAKING) Ryan.
(OMINOUS MUSIC PLAYING)
MAYA: There were three of them.
Two were like, um… doll masks?
WALTERS: Did you and your boyfriend see…
Fiance.
WALTERS: Fiance.
Did you or your fiance see anything else?
ROTTER: You almost died.
Maybe your memory’s just a little bit fogged up.
They had a truck.
A red truck.
I felt like they liked it.
Like they enjoyed it.
It was some kind of ritual.
Has this happened before?
WALTERS: Well, there’s been…
ROTTER: Tommy.
Is there anything else you can remember?
(SOFTLY) Tamara.
They were asking about a girl named Tamara.
Who’s Tamara?
(KNOCK ON DOOR)
Dr. Tate says time to wrap it up, Sheriff.
Doc knows best, huh?
Don’t worry.
We’ll find these killers.
(THUNDER RUMBLING)
You boys are awful quiet.
I’m not getting into it, Carol.
Come on, Sheriff.
We all want to hear what you know about who killed that young couple.
The girl didn’t die.
Oh, I heard they both died, that they left this world together.
WALTERS: Nope.
She’s gonna be okay.
You want to hear my theory?
She did it.
The girl.
Probably for some big insurance money.
Gorgeous hair, but a dark heart.
Well… sounds like you done cracked the case, Jazz.
JASMINE: I’m just saying.
You never know what a killer looks like.
(PENSIVE MUSIC PLAYING)
(DISTANT CHILDREN LAUGHING)
(KNOCKING ON DOOR)
GIRL 1: Is Sally there?
(KNOCKING ON DOOR)
GIRL 2: Can I come in?
BOY 1: Got your ball.
Go fetch.
(BELL TOLLING)
GIRL 3: Come on.
(UNEASY MUSIC PLAYING)
(RAIN PATTERING)
(THUNDERCLAP)
MAYA: Do you want to play cards?
(LOW PITCH NOTE PLAYS)
I have an idea.
Why don’t I play you your favorite song?
(MARY HAD A LITTLE LAMB PLAYING)
(TUNE ENDS)
(SIGHS)
(KNOCK ON DOOR) DANICA: Maya?
It’s me, Nurse Danica.
I have your pain meds.
Thanks.
Here you go.
That’s it.
How you feeling?
I’m okay.
Who’s Tamara?
I didn’t really know her.
Just the story.
It’s just an old ghost story that people tell here.
Try not to think about that, okay?
Get some rest.
(DOOR CLOSES)
(UNEASY MUSIC PLAYING)
Hi, Maya.
(CHUCKLES SOFTLY)
I knew you wouldn’t leave me.
Never.
(UNEASY MUSIC PLAYING)
(MONITOR BEEPING RAPIDLY)
(PANTING)
(GRUNTS)
(BEEPING STOPS)
(PHONE VIBRATES)
(GROANS)
Hey, I’m so sorry we’re stuck here. I want to get you out of there. We are working on a private EMT, hopefully today, which will pick you up and take you to Portland Hospital. Howard and I will meet you there. I love you so much. We’ll be there soon. It’s gonna be okay. Okay. Bye. Debbie?
Debbie?
Hello?
WOMAN: (OVER PHONE) Is Tamara here?
MAN: Who the fuck are you?
(FOOTSTEPS APPROACHING)
Shit!
Help!
(FOOTSTEPS RUSHING)
(MAN GROANS)
(LOUD CLANGING)
Fuck you!
Get off!
(METAL THUDS)
MAYA: Shit.
(MONITOR BEEPING RAPIDLY)
(DOOR CLICKS)
(UNEASY MUSIC CONTINUES)
(GRUNTS)
(DOOR RATTLING)
(FAINT CLINK)
(GASPS SOFTLY)
(THUDDING IN DISTANCE)
(GASPS SOFTLY)
(BREATH TREMBLING)
Fuck.
(THUDDING IN DISTANCE)
(DOOR RATTLING)
(DOOR RATTLING)
(CURTAIN RINGS SCREECHING)
(PANTING)
(CURTAIN RINGS SCREECHING)
(MUSIC FADES)
(EERIE MUSIC PLAYING)
(CURTAIN RINGS SCREECHING)
(CURTAIN RINGS SCREECHING)
(DOOR CREAKING)
(MAYA WHIMPERS)
(EERIE MUSIC INTENSIFIES)
(MAYA WHIMPERING)
(MAYA GROANING)
(GRUNTING)
(SHUTTER THUDS) (ELEVATOR WHIRRING)
(PANTING)
(ELEVATOR CLANGING)
(ELEVATOR STOPS)
(SHUTTER CLANGS)
(FOOTSTEPS APPROACHING)
(BREATH TREMBLES)
No.
(INTENSE MUSIC PLAYING)
(SCREAMING)
(MUSIC FADES)
(DRUM CLANGING)
(MUFFLED TREMBLING)
(CLATTERING)
(GASPS SOFTLY)
(MUFFLED SOBBING)
(TENSE MUSIC INTENSIFIES)
(MUSIC FADES)
(DRUM CLANGS)
(GASPS) (GASPS)
(DRUM CLANGS)
(INTENSE MUSIC PLAYS)
(AIR HISSING)
(MAYA SCREAMS)
(GROANING)
(GROANING LOUDLY)
(GRUNTS)
(GROANING)
(GRUNTING)
(DOOR CREAKING)
(DOOR SLAMS SHUT)
(DOOR RATTLING)
Shit!
(GROANS)
(DOOR RATTLING)
Fuck!
(FOOTSTEPS APPROACHING)
(UNEASY MUSIC PLAYING)
(BREATH TREMBLING)
(DOOR CREAKING)
(DOOR SLAMS SHUT)
(AX SCRAPING)
(CLINKING NEARBY)
(MUFFLED TREMBLING)
(CONTAINER DOOR CREAKS OPEN)
(MUFFLED SOBBING)
(CONTAINER DOOR CREAKS OPEN)
(CONTAINER DOOR CREAKS SHUT)
(CONTAINER DOOR CREAKS OPEN)
(MUSIC INTENSIFIES)
Please. Please…
(SCREAMS)
(BLOW LANDS)
(BODY THUDS)
(SNIFFLES)
(FLESH SQUELCHES)
(DOOR OPENS)
(DOOR SHUTS)
(UNEASY MUSIC PLAYING)
(SOBBING)
(CREAKING)
(CREAKING) (MAYA GRUNTING)
(DOOR SLAMS SHUT)
(GRUNTS)
(THUNDER RUMBLING)
(GRUNTS)
(THUNDER RUMBLING)
(UNEASY MUSIC PLAYING)
(THUNDER RUMBLING)
WOMAN: Freeze.
Please.
Please, I just need to use your phone to call the police. Please.
There are people trying to…
Sheriff ain’t gonna help ya.
Why?
Because he…
(GASPS)
(GUN FIRES)
MAYA: Shit!
(HORSE SNORTS)
(FOOTSTEPS APPROACHING)
(EERIE MUSIC PLAYING)
(HORSE NEIGHS)
(WOOD THUDDING)
(OBJECT CLATTERS)
(HORSE NEIGHS)
(MAYA SCREAMS)
(HORSE NEIGHS)
MAYA: Oh, shit!
(PANTING)
(DOOR RATTLING)
(SCREAMING)
(GRUNTING)
(BANGING ON WINDOW, SCREAMING)
Open the…
(SCREAMING)
(THUDDING)
(SCREAMING)
(HAIR STRAINING)
(SCREAMING)
(DOOR THUDS)
(SOBBING)
(PANTING)
(TIRES SCREECHING)
Maya?
Here. Put this on.
That’s Chris’ jacket.
It’s warm.
She’s ex-military.
Three years in the service.
Look, Maya. I’m really worried about your stitches.
If your wound opens up, you could lose a lot of blood and die.
(THUNDER RUMBLES)
Please.
Please. Just drive.
Please, just drive. Please.
(LOCKS CLICKING)
What are you doing?
Open the door! Open it.
Let me out!
Let me out of here!
DANICA: Maya?
Let me out of here!
Let me out of here!
Maya!
You said you would help me!
I am helping you.
MAYA: Let me out!
Open it!
DANICA: Maya. Maya. Maya.
CHRIS: Let’s take her back to the house.
MAYA: Let me out!
DANICA: Maya!
MAYA: Let me the fuck out!
Open the fucking door!
Calm down.
Let me out!
Okay, calm down!
Hey!
MAYA: Let me the fuck out of here!
CHRIS: Hey. Hey! Hey, hey!
Relax! Relax! Calm down.
Relax.
DANICA: I’ll take you back to our house. Okay?
It’s safe. I promise.
Look. I’ll clean your wound and we’ll figure out the rest tomorrow. Okay?
Okay. Your house.
(THUNDER RUMBLING)
PREACHER: (OVER RADIO) Now, look to the Lord and unto me. We will serve the Lord. Depart from Satan. Refuse to give in to him by standing strong in thy faith. The scripture says when we see evil…
(DANICA AND CHRIS SPEAKING INDISTINCTLY)
DANICA: Oh, gosh, she’s fucked up.
Is that…
What the fuck are they doing here?
(TIRES SCREECH)
PREACHER: …for human nature. Because human nature is wicked. Human nature is evil. There’s a reason it needs rebirth, it needs redemption. The devil came to Eve in the Garden of Eden. He came and whispered in her ear through the serpent and said, “Come with me. I will show you the way.” That’s the way to Hell. Jesus told her of the danger of the hellfire.
(DOORS CLOSING)
(GROANS)
DANICA: Maya, meet our idiot roommates.
Gregory.
Wayne.
CHRIS: Why are you two walking down in the middle of the road in a rainstorm?
Where’s your truck?
Perry’s bar.
Dickstain here forgot the keys, and by the time he realized it, Perry locked the fuckin’ place up.
So you’re the one everybody’s talking about?
PREACHER: He says, “Depart from me, you cursed, “into everlasting fire prepared for the devil, “and his angels.”
(THUNDER RUMBLING)
PREACHER: So there, in the great book of Matthew, Jesus’ words call out about the end, about evil. His eyes watch in secret for his victims. He lies in wait to catch the innocent. He catches them and drags them off in his net. Turn away from this Satan! Repent for your sins. I’m searching for the way of life and the way of death. The way of Heaven or the way of Hell. The way of light… (SNIFFLES) …or eternal fire. Which way are you on?
(MOUTHING) What the fuck are you looking at?
PREACHER: Jesus said, “I am the way. “I am the way. I am the only way.” Behold, open your soul and receive Christ. Don’t come to this place. Break thou the arm of the wicked and the evil man. Jesus said, “I call Heaven and Earth to record…”
(UNEASY MUSIC PLAYS)
“I’ve set before thee life and death.” “Blessing and cursing.” Telling us there shall be great tribulations such as was not since the beginning of the world to this time nor will ever be again. Except those days should be shortened. There should be no man saved but for the sake of the world, of all mankind. (BREATHING HEAVILY) Those days will be shortened.
ANNOUNCER: All you have to do is pick up the phone, and call the number you see on your TV. And talk with you about this wonderful decision. The decision to take the Lord into your heart today. What the…
Maya!
(TIRES SCREECHING)
(THUDS)
CHRIS: Maya!
DANICA: Come back!
CHRIS: Maya, what are you doing?
GREGORY: What the hell’s wrong with you?
CHRIS: Come back in the car.
(TENSE MUSIC PLAYING)
(MAYA GRUNTS)
(GROANING)
(MUSIC FADES)
ROTTER: If we don’t find anything here, let’s go back to the station.
WALTERS: Yeah, sounds good.
(UNEASY MUSIC PLAYING)
(MAYA GROANING)
(GRUNTS)
(FABRIC RIPPING) (GRUNTING)
(GROANING)
(WINCES)
(EXHALES)
(SCREAMS)
(GRUNTS)
(BREATHING RAGGEDLY)
Oh, my God. Oh, my God.
(MUFFLED SCREAM)
Fuck!
(PANTING)
(GRUNTS)
(BREATH TREMBLES)
(MUFFLED SCREAMING)
(SQUELCHING)
(SCREAMING)
(WHIMPERING)
(CRYING)
Fuck, fuck, fuck.
(COUGHING)
(WHIMPERING)
(COUGHING)
(UNEASY MUSIC PLAYING)
(LIGHTER CLINKS)
(CHAINS CLANGING)
(ANIMAL SNORTING)
(ANIMAL HUFFING)
(KNIFE THUDDING)
(BREATHES DEEPLY)
(GRUNTS)
(LIGHTER CLICKS)
(CHUCKLES)
(SIGHS)
(EXHALES)
(FAINT RUSTLING)
(GASPS)
(UNEASY MUSIC PLAYING)
(FOOTSTEPS THUDDING)
(ANIMAL SNORTS)
(GRUNTS)
(CAR THUDS)
(CAR THUDS)
(MAYA SCREAMS)
(PANTING)
(GLASS SHATTERS)
(SCREAMS)
(CAR THUDDING)
(FOOTSTEPS SHUFFLING)
(GASPS)
(BREATHING HEAVILY)
(CAR THUDS)
(SCREAMS)
(CAR THUDS)
(SCREAMS)
(DOOR RATTLES)
Fuck! Please.
(CAR THUDS)
Oh, my God. Fuck!
(SQUEALS)
(SNORTS)
(PANTING)
(SNORTS)
(GRUNTS)
(SNORTS)
(SCREAMS)
(SNORTING)
(SCREAMING, CRYING)
(SQUEALING)
(SCREAMING)
(PANTING)
(SNIFFING)
(MUFFLED WHIMPERING)
(COUGHING)
(SNIFFING, GRUNTING)
(MAYA STRAINING)
(STRAINING)
(GRUNTS)
(GRUNTS, SCREAMS)
(SNORTING)
(GRUNTING)
(SQUELCHES)
(SCREAMS)
(SNORTING)
(BOAR SCREECHING)
(SCREECHING)
(WEAKENED GRUNTING)
(BOAR WHEEZING)
(MAYA PANTING)
(BOAR BREATHING LABORIOUSLY)
(KNIFE SLASHING) (SQUEALING)
(SCREAMING)
(GRUNTING)
(MELANCHOLIC MUSIC PLAYING)
(UNEASY MUSIC PLAYING)
GIRL: Hey, no, wait. No, wait.
(PIGLETS SQUEALING)
I taught them to come to me.
Gotta put it right up to his nose.
Yeah, like that.
I’m gonna teach the boars to do lots of things.
Yeah, I think you will.
(BICYCLE FALLS)
Ow. Ow. My ankle.
Hey, are you okay?
Yeah, I’ll be fine.
Just a little dust.
BOY: It doesn’t look too bad.
BOY: See?
Here. Let me help you up.
(MOUSE SQUEAKING)
(MELANCHOLIC MUSIC PLAYING)
(BONES CRACK)
(MUSIC FADES)
(EERIE MUSIC PLAYING)
ROTTER: Thanks, Jimbo.
Crew finished searching the woods.
Jesus, Tommy, keep your voice down.
Maya ain’t in the woods.
She’s a missing person.
Correction.
Her whereabouts are unknown.
She’s not an MP for another 24 hours.
Look, maybe… maybe we should call in the State, the FBI.
Calling in the cavalry doesn’t end well for guys like you and me.
They’ll second-guess everything.
Open up our files.
You want the Feds looking into why you didn’t press charges against the widow Saunders now?
Man, me and her didn’t start up.
(UNEASY MUSIC PLAYING)
(MAYA GRUNTING)
(PANTING)
(CONTINUES GRUNTING)
(SCREAMING)
(SOBBING)
(DOOR CREAKING)
(WHIMPERS)
(UNEASY MUSIC CONTINUES)
(GASPING)
(MUSIC FADES)
(CLOCK TICKING)
(FAUCET SQUEAKS)
(GRUNTS SOFTLY)
(TENSE MUSIC PLAYING)
(OBJECTS CLATTERING)
(BISCUIT CRUNCHES)
Mmm.
(CLINKS)
(SOMBER MUSIC PLAYING)
(FLOOR SQUEAKS)
(EERIE MUSIC PLAYING)
(YELLS) What the fuck!
Jesus.
I’m not gonna hurt ya.
I’m here because of the lack of response by the sheriff’s department to all the murders in the area.
You must be Maya.
Are you okay?
Do I look okay?
No.
Maya, I’m here to help.
Billy Buford, Oregon State Police Internal Affairs.
Do you have a car?
Yeah, it’s outside.
Get me the fuck out of here.
Okay.
Nice and easy.
Yeah?
Yeah. Thank you.
(EXHALES)
(BODY THUDS)
Fuck! Fuck!
(ENGINE STARTS)
MAYA: What the fuck?
(TIRES SCREECHING)
(PANTING)
(GROANS)
(GROANS)
(ENGINE SPUTTERS)
(GASPS) Fuck!
(ENGINE REVVING)
(ENGINE SPUTTERING)
Fuck. Okay.
(PANTING)
Help. Is anybody home?
Please, help me.
(CRYING) Help me, please.
(EERIE MUSIC PLAYING)
(GROANS)
God.
(GROANS)
(GROANS)
(CONTINUES GROANING)
(DOOR CREAKING)
(INDISTINCT CHATTER OVER RADIO)
PREACHER: (OVER RADIO) We are evil. It warns us that you shall be driven mad by the sight of what you see. The most evil of this world. “The sins of my mother conceived me,” David said. We are all sinners and we were born in sin. And then when we grow up, we make the choice to sin. The Bible tells us that there’s a burning Hell in the human heart. And that people who seem to be good and wholesome in time may be changed into vicious killers, into murderous maniacs just like that. We all know the story of a woman. A good woman. A beautiful woman whose husband was…
You’re out of the woods.
Congratulations.
PREACHER: …hardly any reason at all, while he was asleep, she shot him, killed him dead.
How do you like my tattoo?
Um… I…
You don’t like it?
I knew you were gonna have a tough time making friends around here.
A lot of us have the same one.
Got it on a teen church trip a few years back.
You know how teens are… the sex and the… the booze.
Cheap tattoos.
That’s cool.
Excuse me.
CHRIS: Stuff didn’t line up earlier, but…
DANICA: No, I don’t know.
You’re up.
CHRIS: Leave her alone, Gregory.
I’m not doing nothing, I’m just… welcoming our guest.
She’s all yours.
Fuck!
(ROCK MUSIC PLAYS OVER SPEAKERS)
DANICA: Look, don’t take it personally, okay?
He’s like that to everyone.
CHRIS: Arrogant prick.
Grandparents left him money and an old sailboat.
Still has the sailboat.
DANICA: And he still acts like he owns the town.
He’s harmless, though.
CHRIS: Girl, I have done some crazy shit in my life, but jumping out a moving car…
It’s suicidal.
Look, you’re lucky to still be in one piece.
Let’s get you back to bed.
So you can rest.
(DRAWER OPENS)
It’s your phone.
I rescued it from the hospital’s lost and found.
(ENGINE STOPS)
(HOSE CLICKING)
(UNEASY MUSIC PLAYING)
(SIGHS)
Hello?
(FAINT CLATTERING)
Excuse me?
I need to get some gas.
(SIGHS)
(CREEPER SCREECHING) Shit!
You scared me.
I’ll turn on the pump.
Hey, Gander Street is which way from here?
You going to the lake house?
Uh-huh.
What for?
Picking someone up.
Mmmhmm.
Yeah…
Just the gas, then.
(PUMP WHIRRING)
(PHONE VIBRATES)
(FOOTSTEPS APPROACHING)
(GASPS SOFTLY)
(DOOR SLAMS SHUT)
(DRAWER SHUTS)
You were, uh… you were stabbed in the… stomach, right?
Did you think you were gonna die?
What were you thinking about?
Time.
How slowly it was moving.
How fast it all felt.
How little I had left.
What’d you want to do about it?
In that moment, I would have done anything… to kill him.
Pretty lucky.
MAYA: Am I?
Yeah.
This shit’s been, uh… it’s been going on for years.
You’re the only one that survived.
How many others?
(SCOFFS)
Ten? Fifteen?
Does it matter?
Why?
Does there have to be a why?
(FOOTSTEPS APPROACHING)
DANICA: Gregory? Gregory?
Damn. Bitch.
Fuck.
(DOOR LOCK CLICKS)
(SCRAPING)
(MAYA GRUNTS)
DANICA: Gregory.
GREGORY: God, leave me alone.
DANICA: Don’t just walk away from me.
I’m trying to talk to you.
Why are you harassing her?
GREGORY: Go back in the house and yell at me, I’ll let you…
DANICA: You’re hammered.
You’re drunk.
GREGORY: Good observation.
DANICA: Where are you going?
You can’t drive.
Just listen to me.
I told you to leave her alone, why don’t you just leave her alone?
GREGORY: Get out of my fucking face.
DANICA: Calm down.
(ENGINE STARTS)
GREGORY: Get the fuck out of the way!
(ENGINE REVVING)
(TIRES SCREECHING)
(DOOR THUDS)
(PHONE CHIMES)
MAYA: Fuck.
(DOOR THUDS)
(GASPS)
(INTENSE MUSIC PLAYING)
(STRAINING)
(PANTING)
(MUSIC FADES)
(GROANS)
DOLLFACE:
♪ Rockabye baby
♪ On the treetop
♪ When the wind blows
The cradle will rock
♪ When the bough breaks
The cradle will fall ♪
(DOLLFACE SCREAMS)
(INTENSE MUSIC PLAYING)
(LOCK CLICKS)
(DOOR THUDS)
(DOOR RATTLING)
(WHIMPERING)
(BANGING ON DOOR STOPS)
(FOOTSTEPS RECEDING)
(TABLE SCRAPING)
(DOOR OPENS)
(DOOR CLOSES)
(UNEASY MUSIC PLAYING)
(DOOR CREAKS)
(TENSE MUSIC PLAYING)
(GASPS SOFTLY)
(GRUNTS)
Jesus Christ.
Drive. Drive, drive. Drive.
(MAYA GRUNTS)
(BOTH GRUNTING)
(PINUP GIRL SCREAMS)
(WHIMPERS)
(GLASS SHATTERS)
(MAYA SCREAMS)
(ENGINE STARTS)
(ENGINE REVVING)
(MAYA GRUNTING)
(COUGHS)
(ENGINE REVVING)
(METAL SCRAPING)
(MAYA GROANS)
(PANTING)
(GROANING)
PINUP GIRL: ‘Cause you’re here.
(UNEASY MUSIC PLAYING)
(MUSIC INTENSIFIES)
(ENGINE REVVING)
(SOMBER MUSIC PLAYING)
(SWING CREAKING)
(CHILDREN LAUGHING)
GIRL: Come get me.
Is Tamara here?
(BELL TOLLING)
Wait. Do it again.
I’m waiting.
I’m waiting.
(KNOCKING ON DOOR)
(DOOR CREAKS)
Is Tamara here?
(STONE THUDDING)
(SWING CREAKING)
(BODY THUDS)
(MELLOW MUSIC PLAYING)
(SOMBER MUSIC PLAYING)
(INSTRUMENTAL MUSIC PLAYING)
(UNEASY MUSIC PLAYING)
ROTTER: Look like you’ve been through hell.
MAYA: I know where they are.
ROTTER: Where are they?
MAYA: No, no! No! Stop! Stop! No! No! No!
(LOCK CLICKS)
See you soon.
(CRYING)
(MAN SCREAMING)
(INSTRUMENTAL MUSIC PLAYING)
(INSTRUMENTAL MUSIC PLAYING)
(MUSIC FADES)
