
SHINING – Recensione di Giovanni Grazzini
Giovanni Grazzini recensisce per il Corriere della Sera “Shining” di Stanley Kubrick

Giovanni Grazzini recensisce per il Corriere della Sera “Shining” di Stanley Kubrick

Susan Sontag reviews Ingmar Bergman’s “Persona” for Sight and Sound magazine

Speciale della rivista “Filmcritica” pubblicato nel 1987 in occasione dell’uscita del film di Stanley Kubrick “Full Metal Jacket”

Fernanda Pivano parla del rapporto tra gli scrittori americani e il cinema
James Naremore’s thought-provoking paper on Welles and Kubrick and the artistic effects of them leaving the U.S.

10 Reasons why The Godfather Part III is crap

Of Stanley Kubrick’s seven feature-length films, three, including two of the best, have been explicitly concerned with militarism and war. The most recent of these, Dr. Strangelove, has made Kubrick the darling of the Ban-the-Bomb movements, being widely taken as a satirical demolition of those who have “stopped worrying and learned to love the bomb.”

Janet Staiger’s essay on the cultural effects of watching A Clockwork Orange

Gordon Gekko’s ‘Greed is Good’ speech in ‘Wall Street’

Recensione di Francesco Bolzoni a Barry Lyndon (1975) di Stanley Kubrick. La recensione è apparsa in «Rivista del Cinematografo», nel 1976

Peter Biskind reviews Michael Cimino’s movie the Deer Hunter

Robert Hatch reviews Stanley Kubrick’s Dr. Strangelove for “The Nation”

Paolo Cherchi Usai’s essay on FEAR AND DESIRE, a film by Stanley Kubrick, carefully analyzes the importance of this early work by the great film maker

A candid conversation with the pioneering creator of 2001: A Space Odyssey, Dr. Strangelove and Lolita

Speciale pubblicato dalla rivista “Duel” nel 2001 in occasione dell’uscita di “Apocalypse Now Redux”

Christopher Hitchens’ review of the German film The Baader Meinhof Complex (2008) which portrays the terrorist group operating in West Germany known as the Red Army Faction

Jason Sperb analyses Fear and Desire and its relevance to Kubrick’s larger body of work
Essay by Andrew Kelly published in “Cinema and The Great War”
The Shining reminds us how far the cinema has come and how much it has stayed the same. It shines bits of an enigmatic film future which in the last image turns out to be a still from the past. There is no immutable order of experience when the past becomes a picture of what might have been.

Contributi critici del regista cinematografico Michelangelo Antonioni, del critico letterario Giulio Cattaneo, dello storico del cinema Fausto Montesanti e dello sceneggiatore Giorgio Prosperi. Con una nota critica di Lino Del Fra.
Recensione del film di Stanley Kubrick “Orizzonti di Gloria”, scritta da Guido Aristarco per la rivista Cinema Nuovo
François Truffaut reviews Stanley Kubrick’s “Paths of Glory”

Sceneggiatura della sequenza finale del film di Rossellini “Roma città aperta”
Review of Stanley Kubrick’s “A Clockwork Orange” written by Pauline Kael and published in The New Yorker, January 1, 1972
Some movies are so inventive and powerful that they can be viewed again and again and each time yield up fresh illuminations. Stanley Kubrick’s A Clockwork Orange is such a movie.
Review of Stanley Kubrick’s “The Shining”, written by Jack Kroll and published in Newsweek, June 2, 1980
Recensione del film di Michael Cimino “Il Cacciatore”, a cura di Ernesto G. Laura, pubblicata dalla rivista “Bianco e Nero” nel 1979

Interview with Stanley Kubrick by Canadian Film Critic John Hofsess, published in The Soho News, May 1980
Saggio di Francesco Cattaneo su Shining, pubblicato dalla rivista italiana Cineforum nel 2003
Essay by Eric Eaton published in “Stanley Kubrick: Essays on His Films and Legacy”
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