Sergio Leone’s film Once Upon a Time in the West set out to be the ultimate Western―a celebration of the power of classic Hollywood cinema, a meditation on the making of America and a lament for the decline of one of the most cherished film genres in the form of a “dance of death.”
Interview with Sergio Leone, by Pete Hamill. Published in American Film, June 1984
2001: Odissea nello Spazio – Recensione di Alberto Moravia pubblicata sulla rivista italiana l’Espresso del 29 Dicembre 1968
Howard Hughes reviews Enzo Barboni’s “They Call Me Trinity” in his book “Once Upon a Time in the Italian West”
Recensione di Giovanni Grazzini del film Il Dottor Stranamore di Stanley Kubrick, pubblicata sul Corriere della Sera il 04 Aprile 1964
Stanley Kubrick’s Barry Lyndon special published by Italian magazine Cineforum n.160, December 1976
Marcello Garofalo analizza il film di Sergio Leone “C’era una volta in America” nel suo libro “Tutto il cinema di Sergio Leone”
![Barry Lyndon [1975] Marisa Berenson as Lady Lyndon](https://scrapsfromtheloft.com/wp-content/uploads/2016/07/Barry-Lyndon-1975-Marisa-Berenson-as-Lady-Lyndon.png)
I doubt if there could be a grander looking film than Stanley Kubrick’s eagerly awaited three hour adaptation of Thackeray’s Barry Lyndon. Stop it at almost any point and you would have something ravishing to look at.
Michael Cimino’s The Deer Hunter (1978) review by Gordon Gow for Films and Filming magazine, March 1979
Raging Bull began as Robert De Niro’s obsession, but the only man he believed could film it, Martin Scorsese, wasn’t interested—until the director’s near-fatal collapse gave him a visceral connection with the story of troubled boxing champion Jake La Motta.
Recensione del film di Stanley Kubrick “Il Bacio dell’assassino”, di Tullio Masoni. Pubblicato in Cineforum n. 347, Settembre 1995
Review of Stanley Kubrick’s Barry Lyndon, written by Pauline Kael and published in The New Yorker, December 29, 1975
Speciale Arancia Meccanica pubblicato dalla rivista Cineforum nel 1973
Recensione del film di Michael Cimino “Il Cacciatore”, pubblicata sul quotidiano l’Unita’ il 28/02/1979
Saggio critico di Enrico Ghezzi su “Orizzonti di Gloria”, pubblicato nel numero monografico su Stanley Kubrick della collana Il Castoro Cinema
Review of Michael Cimino’s The Deer Hunter, written by Pauline Kael and published in The New Yorker, December 18, 1978
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Prefazione di Vladimir Nabokov alla pubblicazione italiana della sceneggiatura che ha scritto adattando il suo romanzo. Kubrick utilizzerà ben poco di questa versione ma lascerà ugualmente a Nabokov il credit di unico autore dello script
Raccolta di recensioni italiane dell’ultimo film di Stanley Kubrick, Eyes Wide Shut (1999)
Speciale sul film di Stanley Kubrick “Full Metal Jacket”, pubblicato dalla rivista Cineforum nel 1987.
Barry Lyndon (1976) movie review by Penelope Houston, Sight and Sound, Spring 1976
Review and analysis of Stanley Kubrick’s 2001: A Space Odyssey, published by the Italian magazine Cineforum N.82, February 1969
The film is set in Budapest towards the end of the Second World War. Four middle-aged men, conspicuously ordinary and everyday, meet up to drink at an inn…
Wind up the Lolita doll and it goes to Hollywood and commits nymphanticide. Director Stanley Kubrick and Novelist-turned-Scriptwriter Vladimir Nabokov shadow the plot of Nabokov’s
Oriana Fallaci interviewed Alfred Hitchcock in 1963 when his movie The Birds screened in Cannes
In the following essay. Manchel examines the protagonist of The Shining. Jack Torrance, contending that “there are mitigating circumstances for his diabolical role in the disintegration of his family.”
Il regista è morto a 70 anni. Una vita segregata piena di misteri e fobie. Nei suoi film le angosce di mezzo secolo.
Why haven’t you seen it yet… and why you ought to WHILE ON THE SCENE AT CANNES, THE AUTHOR STUMBLED UPON—WELL, NOT GOLD, EXACTLY, BUT
Spartacus had a powerful star and a politically committed screenwriter. So how did Stanley Kubrick put his personal stamp on the film, asks Henry Sheehan?
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