Protected: Arthur Schnitzler: Doppio sogno – Testo Italiano Completo

«Un’ombra di avventura, di libertà e di pericolo» nella vita di un medico e di sua moglie, giovani, belli e chiusi in un’ovattata felicità domestica.

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A Clockwork Orange – Review by Paul D. Zimmerman

A Clockwork Orange is a characteristically frosty piece of film-making, shorn completely of sentiment, working through brilliant ironies and dazzling dramatic ideas that please us, provoke our laughter, galvanize our intellects, win our admiration—but never touch our hearts.

Elisha Cook Jr. and Marie Windsor in The Killing (1956)

THE KILLING – REVIEW BY GAVIN LAMBERT [SIGHT AND SOUND]

Now that its title has been changed from Bed of Fear (as it was called when I wrote about Stanley Kubrick’s last picture in Sight and Sound) to The Killing, one need really have no reservations at all. This shrewd, engrossing, complete-in-itself melodrama is the kind of film one had begun to think was no longer possible to make in Hollywood.