CRIES AND WHISPERS: BERGMAN’S STUDY IN SCARLET – Review by Hollis Alpert
22/02/2018
In Ingmar Bergman’s latest film, Cries and Whispers, the predominant tones are red, and from the very beginning of its production he did not hesitate to explain why this is so. He had a dream, he said, and in the dream he saw a group of women dressed in white, whispering together in a room bathed completely in red.