‘SPARTACUS’: HAILED IN FAREWELL (1960) – by Eugene Archer

2017-12-18T16:31:27-08:00 August 30th, 2017|Categories: CINEMA, INTERVIEWS|Tags: , , , , |

by Eugene Archer Critics have always debated the correct way to apportion the credit for a multi-million-dollar production among producers, writers, actors and corps of technicians, but Stanley Kubrick, the youthful director of Spartacus, has no such doubts. If any critical bouquets are available after the elaborate costume spectacle opens [...]

THE GODFATHER – Review by Vincent Canby [The New York Times]

2018-02-02T14:34:57-08:00 May 2nd, 2017|Categories: CINEMA|Tags: , , , , |

Taking a best-selling novel of more drive than genius (Mario Puzo's The Godfather), about a subject of something less than common experience (the Mafia), involving an isolated portion of one very particular ethnic group (first-generation and second-generation Italian-Americans), Francis Ford Coppola has made one of the most brutal and moving chronicles of American life ever designed within the limits of popular entertainment.