THE GODFATHER: THE RESURRECTION OF DON BRANDO – Review by Richard Schickel

2018-02-03T19:23:51-08:00 February 3rd, 2018|Categories: CINEMA|Tags: , , , , , |

There’s nothing fun or funny to be found here. It offers us only the absorption of good acting and good storytelling combined with a plausible anthropology of a strange, terribly relevant culture. What more could we possibly want from a movie? How often, these days, do we get anything like all that?

THE GODFATHER: HOW BRANDO BROUGHT DON CORLEONE TO LIFE – by Joseph Gelmis [Newsday]

2018-02-03T18:49:35-08:00 February 3rd, 2018|Categories: CINEMA|Tags: , , , , |

And then there was Marion Brando, against all the odds, cast in one of filmdom’s juiciest roles, as mob chief Don Vito Corleone. He was eased in, despite stiff opposition from the studio brass, because of the advocacy of a thirtyish fan, Francis Ford Coppola, an Italian-American who happened to be the director of The Godfather. Once he got the part, Brando in turn helped Coppola maintain camaraderie during the frenzied three-month shooting by kibitzing with the cast and establishing a fatherly relationship.

THE GODFATHER PLAYS ON OUR SECRET ADMIRATION FOR MEN WHO GET WHAT THEY WANT – by Arthur Schlesinger Jr. [Vogue]

2018-02-02T17:37:51-08:00 February 2nd, 2018|Categories: CINEMA|Tags: , , , , |

Inflation does not always assure survival. My guess is that three years from now we will still remember scenes from Raoul Walsh’s The Roaring Twenties (1939) while The Godfather will have become a vague memory.

THE GODFATHER: ALCHEMY – Review by Pauline Kael

2017-12-30T13:54:12-08:00 December 30th, 2017|Categories: Uncategorised|Tags: , , , , |

A wide, startlingly vivid view of a Mafia dynasty, in which organized crime becomes an obscene nightmare image of American free enterprise. The movie is a popular melodrama with its roots in the gangster films of the 30s, but it expresses a new tragic realism, and it's altogether extraordinary.

FRANCIS FORD COPPOLA INTERVIEW (1974) – by Marjorie Rosen [Film Comment]

2018-01-18T12:30:59-08:00 December 20th, 2017|Categories: INTERVIEWS|Tags: , , , , , |

by Marjorie Rosen In Hollywood circles the adage, "You're as good as your last picture," holds more truth than is comfortable or healthy. It could also be why interviewing a director as the reviews for his latest opus are rolling in may either resemble a wake or a euphoric victory [...]

THE GODFATHER – Review by Vincent Canby [The New York Times]

2018-02-02T14:34:57-08:00 May 2nd, 2017|Categories: CINEMA|Tags: , , , , |

Taking a best-selling novel of more drive than genius (Mario Puzo's The Godfather), about a subject of something less than common experience (the Mafia), involving an isolated portion of one very particular ethnic group (first-generation and second-generation Italian-Americans), Francis Ford Coppola has made one of the most brutal and moving chronicles of American life ever designed within the limits of popular entertainment.