Steven Spielberg and Bradley Cooper discuss Maestro | Transcript
24/12/2023
Full transcript of the Q&A where Bradley Cooper and Steven Spielberg discuss the origins of the film “Maestro”
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Steven Spielberg
The Color Purple (1985) | Reviews
07/12/2023
“The Color Purple,” directed by Steven Spielberg and released in 1985, is an adaptation of Alice Walker’s Pulitzer Prize-winning novel of the same name
Shadows of Doubt: Spielberg’s Emotional Propaganda in the Face of Conflict
01/01/2023
Spielberg’s portrayal of Israeli-Palestinian tensions: the fine line between emotional storytelling and historical propaganda
West Side Story (2021) | Transcript
25/02/2022
An adaptation of the 1957 musical, West Side Story explores forbidden love and the rivalry between the Jets and the Sharks, two teenage street gangs of different ethnic backgrounds.
Raiders of the Lost Ark | Review by Richard Schickel
30/11/2021
Richard Schickel called Raiders of the Lost Ark a return to form for Spielberg, demonstrating a competence not seen since Jaws. He described it as a film Walt Disney would have made were he still alive.
E.T. The Extra-Terrestrial – Review by Pauline Kael
12/06/2021
Steven Spielberg’s E.T. The Extra-Terrestrial envelops you in the way that his Close Encounters of the Third Kind did. It’s a dream of a movie—a bliss-out.
Raiders of the Lost Ark | Review by Stanley Kauffmann
30/11/2020
For Stanley Kauffmann, while the film’s thrills did work on him, the frequency eventually irritated him. He criticized the film’s reliance on nostalgia and updating older films instead of innovating new ideas.
Twilight Zone: The Movie (1983) – Review by Pauline Kael
01/11/2020
I didn’t expect (or want) Twilight Zone—The Movie to be Borgesian, but I did rather hope that John Landis, Steven Spielberg, Joe Dante, and George Miller—the four young directors who are paying homage to the TV series—would tease us with more artful macabre games than the ones of the old shows.
Empire of the Sun (1987) | Review by Pauline Kael
23/08/2020
Empire of the Sun begins majestically and stays strong for perhaps forty-five minutes. It’s so gorgeously big you want to laugh in pleasure. Steven Spielberg takes over Shanghai and makes it his city. And then, first in brief patches and then in longer ones, his directing goes terribly wrong.
A.I. Artificial Intelligence (2001): The Mommy Returns – Review by J. Hoberman
22/02/2019
Fairy tales can come true. Spielberg the historian is in remission; Steven the regressive has returned, with a vengeance. An occasionally spectacular, fascinatingly schizoid, frequently ridiculous, and never less than heartfelt mishmash of Pinocchio and Oedipus, Stanley Kubrick and Creation of the Humanoids, Spielberg’s A.I. Artificial Intelligence is less a movie than a seething psychological bonanza.
A.I.: Artificial Intelligence (2001) – Review by Tim Kreider
11/02/2019
Tim Kreider, who also wrote an incisive article on Eyes Wide Shut (“Introducing Sociology”), here takes a brilliant stab at AI in a – rarely mentioned – piece that was originally published in 2002 in Film Quarterly
Movie Trial: A.I.: Artificial Intelligence
14/08/2018
The movies that split people down the middle, put in the Empire dock… Simon Ingram (Prosecution) and Kat Brown (Defence) on Steven Speilberg’s “A. I.: Artificial Intelligence”
INDIANA JONES AND THE TEMPLE OF DOOM – Review by Pauline Kael
09/07/2018
by Pauline Kael The great thing about a tall tale on the screen is that you can be shown the preposterous and the implausible. In
Close Encounters of the Third Kind (1977) | Review by Pauline Kael
21/01/2018
Close Encounters of the Third Kind is the most innocent of all technological-marvel movies, and one of the most satisfying. This film has retained some of the wonder and bafflement we feel when we first go into a planetarium: we ooh and aah at the vastness, and at the beauty of the mystery. The film doesn’t overawe us, though, because it has a child’s playfulness and love of surprises.
The Color Purple (1985) | Review by Pauline Kael
05/01/2018
If you’re among the millions of people who have read the book, you probably expect the actors to be more important than they turn out to be. The movie is amorphous; it’s a pastoral about the triumph of the human spirit, and it blurs on you.
Schindler’s List: Intervista a Steven Spielberg – di Gabriel Erem [CIAK]
27/12/2017
Steven Spielberg parla del suo ultimo film ‘Schindler’s List’ e del suo rapporto con l’ebraismo
Raiders Of The Lost Ark: Cliché In The Jungle – Review by Tom Milne [The Guardian]
02/12/2017
In this review of Raiders of the Lost Ark, Tom Milne dismisses Spielberg’s classic as dross. In a scathing review he objects to the film’s many flaws, including its ‘simple-mindedness’ and its reliance on ‘limp clichés’.
An American Tail (1986) | Reviews
27/09/2017
The following is a collection of reviews for “An American Tail, “the 1986 animated film directed by Don Bluth and written by Judy Freudberg and Tony Geiss.
Indiana Jones and the Last Crusade (1989) – Review by Pauline Kael
18/08/2017
This mediocre movie seems destined to be a tidal wave of a hit. Spielberg, who was perhaps the greatest of all pure, escapist movie directors, is being acclaimed for turning into a spiritual simp.
Raiders of the Lost Ark | Review by Pauline Kael
08/05/2017
The whole collapsing industry is being inspired by old Saturday afternoon serials, and the three biggest American moviemakers are hooked on technological playthings and techniques.
A.I. Intelligenza Artificiale: Un Mondo Senza Pietà – Speciale Cineforum
16/01/2017
“A.I.” delinea l’immagine di un mondo (futuro?) in cui “nascere” robot aiuta forse a capire, ma non a sconfiggere il destino di solitudine e silenzio che incombe sulla specie umana