BAND OF OUTSIDERS: GODARD AMONG THE GANGSTERS – Review by Pauline Kael

2018-02-27T23:24:31-08:00 February 27th, 2018|Categories: CINEMA|Tags: , , , , |

Jean-Luc Godard intended to give the public what it wanted. His next film was going to be about a girl and a gun—”A sure-fire story which will sell a lot of tickets.” And so, like Henry James’ hero in The Next Time he proceeded to make a work of art that sold fewer tickets than ever. What was to be a simple commercial movie about a robbery became Band of Outsiders.

ACCATTONE: POET AND THE PIMP – Review by Stanley Kauffmann

2018-02-08T13:05:59-08:00 February 8th, 2018|Categories: CINEMA|Tags: , , , , |

Accattone lives as a work of narrow but intense vision—a film about viciousness and criminality that evokes compassion. Its style is neorealist: it was made on locations, not in studios, with nonprofessional performers. Sometimes this method makes merely vernacular films, but it gives Accattone a grainy, gripping authenticity.

2001: A SPACE ODYSSEY: LOST IN THE STARS – Review by Stanley Kauffmann

2018-02-08T09:11:37-08:00 February 8th, 2018|Categories: CINEMA|Tags: , , , |

Stanley Kubrick’s 2001: A Space Odyssey took five years and $10 million to make, and it’s easy to see where the time and the money have gone. It’s less easy to understand how, for five years, Kubrick managed to concentrate on his ingenuity and ignore his talent.