Accattone lives as a work of narrow but intense vision—a film about viciousness and criminality that evokes compassion. Its style is neorealist: it was made on locations, not in studios, with nonprofessional performers. Sometimes this method makes merely vernacular films, but it gives Accattone a grainy, gripping authenticity.
Stanley Kubrick’s 2001: A Space Odyssey took five years and $10 million to make, and it’s easy to see where the time and the money have gone. It’s less easy to understand how, for five years, Kubrick managed to concentrate on his ingenuity and ignore his talent.