BARRY LYNDON: NARRATIVE AND DISCOURSE IN KUBRICK’S MODERN TRAGEDY – Essay by Michael Klein

2018-02-15T20:56:33+00:00December 17th, 2017|Categories: CINEMA|Tags: , , , |

by Michael Klein Even inept films sometimes carry with them a certain mesmerizing authority. Stanley Kubrick's Barry Lyndon, a flawed work based upon a rather uninspiring novel, can be enjoyed, for instance, for its visual effects: sheer photography. And the background music is superb.1 The music offputtingly classical under the [...]