Janet Maslin reviews Francis Ford Coppola's 'The Godfather'. Published in Boston After Dark, 1972 March 28
The view of the future offered by Ridley Scott's muddled yet mesmerizing 'Blade Runner' is as intricately detailed as anything a science-fiction film has yet envisioned
Stanley Kubrick, once again leaves his audiences asking a familiar question: How can anyone make a film so fastidiously beautiful and still leave so many loose ends?
The Shining, Stanley Kubrick's spellbinding foray into the realm of the horror film, is at its most gloriously diabolical as Jack and Wendy Torrance take the grand tour.