Oliver Stone conducted interviews with Vladimir Putin on four separate trips to Russia for a total of nine days between July 2, 2015 and February 10, 2017. The following is a selection of parts of the interviews where Putin talks about Ukraine.
In an exclusive interview, director Ingmar Bergman tells William Wolf about his future projects and his ideas about life and art.
Lloyd was hand-picked by Alfred Hitchcock to play the title character and villain in 1942’s “Saboteur,” and it was his character who tumbled to his death from the top of the Statue of Liberty in the pic’s iconic conclusion.
A candid conversation with the ballsy author of “The female Eunuch”
A freewheeling conversation with the outlaw journalist and only man alive to ride with both Richard Nixon and the Hell’s Angels
This is quite unusual, you know. We were in the elevator of the Stockholm Royal Dramatic Theatre, Bergman’s secretary (male) and I. In the elevator, going up, I was having my position made clear. You are very fortunate. Mr. Bergman is seeing no one these days while his play is in rehearsal. . .
I think about each of my films when I am preparing for them. I do an enormous sketch when starting. What is marvelous about the cinema, what makes it superior to the theatre, is that it has many elements that may conquer us but may also enrich us, oiler us a life impossible anywhere else.
The filmmaker who tamed “The Elephant Man” undertakes the grandest vision of them all—the realization on the screen of the epic universe created by Frank Herbert.
A candid conversation with the screen’s “Picasso of violence,” controversial creator of “the wild bunch” and “straw dogs”
Ennio Morricone occupies a unique place in the history of twentieth-century music. He is without question one of the world’s most successful, and brilliant, composers for film, although he continues to write surprising music for the concert hall as well.
Pauline Kael has brought the same fierce passion, independence, and incisiveness to her movie reviews since she took on Charlie Chaplin’s Limelight in 1952. When her first book, I Lost It at the Movies (1965), and her 1968 appointment as a movie critic for The New Yorker brought her national prominence, some people raised eyebrows, others glasses, to her revolutionary style.
Pauline Kael is a singular voice in the history of American film criticism. Cineaste interviewed Kael in the summer of 1999, discussing her critical career and early influences, her philosophy of criticism, great American films of the Seventies, her thoughts about retirement, and her provocative views on some recent American movies.
The following interview was originally conducted by Jack Loeffler for a radio series entitled Southwest Sound Collage, distributed to public radio stations around the United States beginning in 1986.
If the long and stormy life of Bertrand Arthur Russell can be said to possess any unifying thread, it is an enduring attitude of passionate skepticism, a lifelong refusal to accept any truth as immutable, any law as infallible or any faith as sacred.
Mark Zuckerberg hosts Yuval Noah Harari for a conversation about some big challenges as part of the Facebook CEO’s 2019 series of public discussions about the future of technology in society. The overarching question they debate is: what are we going to do about the systemic problems of the current technological revolution?
One of the more diverting aspects of Lolita, the most controversial best seller of the century, has been the considerable speculative curiosity about the private life and personality of Vladimir Nabokov, the virtually unknown university professor who now, at the age of sixty-one, finds himself world famous as the author of this nettlesome novel.
In 1966, Chaplin granted several extensive interviews to journalist Richard Meryman for a Life magazine article to promote ‘A Countess from Hong Kong.’ Only a small portion of Meryman’s taped interviews was ever published. A copy of the complete transcript, from which this excerpt was taken, is preserved in the Chaplin Archives.
A director is a kind of idea and taste machine; a movie is a series of creative and technical decisions, and it’s the director’s job to make the right decisions as frequently as possible. Shooting a movie is the worst milieu for creative work ever devised by man.
A candid conversation with Jerry Seinfeld, TV’s top-rated comic, about the important things: sneakers, masturbation, dating teenagers and making a hit show about nothing
A candid conversation with the author of The Vampire Chronicles about sex and violence, gays and bloodsuckers, and her helpful fans from the S&M scene
A candid conversation with America’s superdad Bill Cosby, about his revolutionary true-to-life comedy series—and about racism, kids, humor and heroes