DR. STRANGELOVE: OR HOW I LEARNED TO STOP WORRYING AND LOVE THE BOMB – Review by Penelope Gilliatt

2017-11-16T15:25:17-08:00 November 16th, 2017|Categories: CINEMA, STANLEY KUBRICK|Tags: , , |

The key of the brilliant comic tone of the film is in the title. What makes the picture so funny, terrifying and horribly believable is that everyone in the film really has learned to stop worrying, as smokers do about lung cancer after living with the statistics for a bit.

KUBRICK’S STRANGE LOVE – Review by Gerard Fay [The Guardian]

2017-08-21T23:08:49-07:00 August 21st, 2017|Categories: CINEMA, STANLEY KUBRICK|Tags: , , |

by Gerard Fay Stanley Kubrick is unusual among American film directors for a complete lack of flamboyance. He dresses without distinction, talks quietly and modestly, eats and drinks frugally, reads and thinks a lot. He is not an Austrian or even an Hungarian but was born in the Bronx, New [...]

DR. STRANGELOVE: NIGHTMARE COMEDY AND THE IDEOLOGY OF LIBERAL CONSENSUS

2017-01-24T16:56:13-08:00 January 23rd, 2017|Categories: CINEMA, STANLEY KUBRICK|Tags: , |

by Charles Maland DR. STRANGELOVE OR: HOW I LEARNED TO STOP WORRYING AND LOVE THE BOMB (Stanley Kubrick, 1964) is one of the most fascinating and important American films of the 1960s. As a sensitive artistic response to its age, the film presents a moral protest of revulsion against the [...]