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Cape Fear (1991)

IMAGISM AND MARTIN SCORSESE: IMAGES SUSPENDED AND EXTENDED – by George P. Castellitto

Scorsese’s technique of “freezing” objects generates a particular method of cinematic exposition in which characters and objects are portrayed in a moment between movement and non-movement; this “moment” is the bridge between potential behavior and stasis. The “thing” is frozen or suspended on the screen, and the possibility of either stasis or experience emerges from this momentary suspension.

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