Articolo commemorativo di Nazzareno D’Errico su Pier Paolo Pasolini «cristiano e marxista», apparso nel numero di novembre del 1976 del mensile illustrato «Historia»
The title of The Incomparable Atuk suggests a certain satiric borrowing from The Great Gatsby. Gatsby may have been “great," but Atuk is "incomparable.” The similarity between the two works extends considerably beyond their titles, however, for Atuk pursues his dream of his own destiny with a dedication worthy of Gatsby himself.
William Gibson is this year's hungry stranger. He brings to the clubby little world of science fiction a genuinely new perception. His influences are not the safe icons like the Heinleins, but are the harrowing visions of a Robert Stone.
If in my lifetime I was to write only one book, this would be the one. Just as the past lingers in the present, all my writings after Night, including those that deal with biblical, Talmudic, or Hasidic themes, profoundly bear its stamp, and cannot be understood if one has not read this very first of my works. Why did I write it?
Non v’è dubbio che la tematica onirico-reale-surreale di Traumnovelle, scritta da Arthur Schnitzler fra il 1921 e il 1925 ma già abbozzata nel 1907, eserciti una singolare attrazione sul lettore e lo induca, quasi naturalmente, a guardare alla psicoanalisi come al più vicino, ineludibile modello del suggestivo racconto.
The essay provides a general introduction to Lem’s work, including an annotated bibliography. Relates Solaris to the main traditions of speculative fiction.
I cannot, for my soul, remember how, when, or even precisely where, I first became acquainted with the lady Ligeia. Long years have since elapsed, and my memory is feeble through much suffering.
When did I see Jerusalem for the first time? I don't even know. When I visited the city for the first time, it seemed to me that it was not for the first time. At the same time, each visit since then I have had the feeling it is my first visit.
The Death of Ivan Ilych, by the Russian writer Leo Tolstoy, is the story of a dying man's struggle to come to terms with the meaning of his life, even as he endures an agonizing death.
Se gli androidi di Dick sono stupidamente malvagi come vuole il loro programma, non diversamente vanno le cose per i pochi esseri umani che incontriamo in questo paesaggio con rovine
Late in his career, in the essay “Man, Android and Machine,’’ Philip K. Dick said the android is "a thing somehow generated to deceive us in a cruel way, to cause us to think it to be one of ourselves.”
Carole Mallory interviews Kurt Vonnegut and Joseph Heller for Playboy magazine in 1992. The article was titled “The Kurt and Joe Show.”
Papillon: una farfalla che vola alto, come un’aquila. Il lungo romanzo autobiografico dell’ex-ergastolano Henri Charrière sta battendo il record assoluto dei best-sellers
Introduzione, antologia critica e bibliografia a cura di Aldo Chiaruttini Arnoldo Mondatori Editore, Oscar Mondatori, Dicembre 1983 George Orwell La vita e l'opera George Orwell è il nome che lo scrittore inglese adottò negli anni trenta, in occasione della pubblicazione delle sue prime opere. Nato nel 1903 a Motihari in [...]
Il terribile libro di Orwell ha segnato il nostro tempo, gli ha fornito una immagine ossessiva, la minaccia di un millennio assai prossimo, e dicendo "quel giorno verrà..." ci ha impegnato tutti nell'attesa di quel giorno
Few authors of this generation have sparked more controversy with a single book than a former Cornell University professor with the resoundingly Russian name of Vladimir Vladimirovich Nabokov
Arthur C. Clarke's short story "Sentinel of Eternity", published in 1951 , which was used as a starting point for the novel and movie 2001: A Space Odyssey
Philip Dick does not lead his critics an easy life, since he does not so much play the part of a guide through his phantasmagoric worlds as give the impression of one lost in their labyrinth.
In 1969, a then relatively unknown Michael Crichton reviewed Kurt Vonnegut's latest novel, "Slaughterhouse Five". In an ambivalent take, Crichton called it "hideous, ghastly, murderous—and calm."