In the following interview, Tom Petty talks, in a genteel drawl, about his solo album, Full Moon Fever, his songwriting process, his relationships with collaborators old and new, and the quality of his life these days.
“Look, the film is not realistic — it's surrealistic. Even the landscape is surreal. For example, the little steel town we called Clairton is composed of eight different towns in four states. You can't find that town anywhere — it doesn't exist. And time is compressed.
Dopo vent’anni di carriera Woody Allen incontra per la prima volta, a Parigi, i giornalisti dei Cahiers du cinéma, la rivista simbolo del cinema francese Ecco un’intervista che parla di film, di metodo, di indipendenza e di spettatori
"The Conversation" was very ambitious, and I hung in not because it was going right, but because I couldn't accept within myself the judgment that I couldn't succeed in doing it. It's a funny thing, but I just couldn't let the project go."
“To me, making a film is like resolving conflicts between light and dark, cold and warmth, blue and orange or other contrasting colors. There should be a sense of energy, or change of movement. A sense that time is going on — light becomes night, which reverts to morning. Life becomes death."