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Strange Days (1995) - Lornette 'Mace' Mason (Angela Bassett) and Lenny Nero (Ralph Fiennes)

STRANGE DAYS (1995) – Sight and Sound Review

Philip Strick reviews 'Strange Days', the 1995 science fiction thriller film directed by Kathryn Bigelow. Published in 'Sight and Sound', January 1996
The White Balloon (1995) by Jafar Panahi

THE WHITE BALLOON (BADKONAKE SEFID, 1995) – Sight and Sound Review

Sight and Sound review of 'The White Balloon', a 1995 Iranian film directed by Jafar Panahi, with a screenplay by Abbas Kiarostami
Twelve Monkeys (1995) - Jeffrey Goines (Brad Pitt) and James Cole (Bruce Willis)

TWELVE MONKEYS: EXTREMITIES

Debris and nightmare, madness and time preoccupy director Terry Gilliam in 'Twelve Monkeys’, with a screenplay by the writer of 'Blade Runner’. David Morgan visited the set
Seven (1995) - William Somerset (Morgan Freeman) and David Mills (Brad Pitt)

SEVEN (1995): THE ALLURE OF DECAY

Revulsion against the body haunts the new film by David Fincher as it does so much current cinema. What makes ‘Seven' distinctive? Amy Taubin explains
Seven (1995) Brad Pitt as detective David Mills

SEVEN (1995) – Sight and Sound Review

by John Wrathall Homicide detective William Somerset is joined for his last seven days on the job by his replacement, David Mills, who has just...
Casino (1995) Robert De Niro as Sam 'Ace' Rothstein

CASINO: MARTIN SCORSESE’S TESTAMENT

What has drawn Scorsese to mix a mafia story with a Biblical epic? The director explains
Amici miei (1975) - Gastone Moschin, Philippe Noiret, Adolfo Celi e Duilio Del Prete

AMICI MIEI (1975) – Recensione di Giovanni Grazzini

Amici miei è un'opera crudelissima e scanzonata, cattiva come una beffa del Lasca e cupa come il racconto d'un filosofo pessimista
Sedotta e abbandonata (1964) di Pietro Germi

SEDOTTA E ABBANDONATA (1964) – Recensione di Giovanni Grazzini

di Giovanni Grazzini Con Sedotta e abbandonata gli affezionati spettatori di Divorzio all'italiana si ritrovano in una Sicilia dominata da un grottesco senso dell'onore, nuovamente...
Full Metal Jacket (1987) - Lee Ermey as Gny. Stg. Hartman

FULL METAL JACKET: RECENSIONE DI FERNALDO DI GIAMMATTEO

Saggio critico di Fernaldo Di Giammatteo su "Full Metal Jacket", pubblicato nel numero monografico su Stanley Kubrick della collana Il Castoro Cinema
A Clockwork Orange (1971) - Alex and his Droogs

ARANCIA MECCANICA – Analisi di Enrico Ghezzi, Il Castoro Cinema

Saggio critico di Enrico Ghezzi su "Arancia Meccanica", pubblicato nel numero monografico su Stanley Kubrick della collana Il Castoro Cinema
Barry Lyndon (1976) Stanley Kubrick (Right) on set

PHOTOGRAPHING STANLEY KUBRICK’S BARRY LYNDON

Interview with Director of Photography John Alcott Among all the film-makers of the world, there is no one quite like Stanley Kubrick. To be more accurate,...
The Shining (1980) - Jack Torrance (Jack Nicholson)

KUBRICK’S SHINING – REVIEW BY RICHARD T. JAMESON FOR “FILM COMMENT”

by Richard T. Jameson Camera comes in low over an immense Western lake, its destination apparently a small island at the center that seems to...
Lolita (1962) - Sue Lyon (Dolores Haze - Lolita)

LOLITA (1962): REVIEW BY ROBERT HATCH FOR ‘THE NATION’

Sue Lyon makes Lolita a mirror of the popular culture and as alarming a harbinger of Western civilization's imminent collapse as I can remember.
The Good, the Bad and the Ugly (1966) - Eli Wallach (Tuco) and Clint Eastwood (''Blondie'')

IL BUONO, IL BRUTTO, IL CATTIVO di Marcello Garofalo

di Marcello Garofalo Una località isolata battuta dal vento. Due uomini scendono da cavallo avanzando verso un terzo, loro complice: insieme entrano in un saloon...
The Shining (1980) Dick Halloran shows Wendy and Danny round the kitchens

HISTORICISM IN “THE SHINING” by Fredric Jameson

Kubrick’s adaptation of King's novel, while it maintains elements necessary to cue the genre of the horror film, expands King’s work of popular entertainment into a thoroughly postmodern work of art.
The Shining (1980) Stanley Kubrick

REMEMBRANCE OF THINGS FORGOTTEN: THE SHINING

by Thomas Allen Nelson After Barry Lyndon, his least commercially successful but one of his most artistically satisfying films, Stanley Kubrick turned to a contemporary...
The Shining (1980) - Wendy (Shelley Duvall) and son Danny (Danny Lloyd)

FAMILY LIFE AND LEISURE CULTURE IN “THE SHINING”

A recent variation in the horror movie genre has been a series of films about middle class life in America in which the source of potential hazard is middle class life.
The Shining (1980) Jack Nicholson as Jack Torrance

GENRE THEORY AND “THE SHINING”

Toward a Post-structural Influence in Film Genre Study: Intertextuality and The Shining. Essay by Walter Metz
Eyes Wide Shut (1999) During the party, an older Hungarian man (Sky du Mont) tries to seduce Alice (Nicole Kidman)

EYES WIDE SHUT: WHAT THE CRITICS FAILED TO SEE IN KUBRICK’S...

Not a single critic, not even those few who claimed to like Eyes Wide Shut, made any attempt to understand the film on its own artistic terms. Instead, the critics denounced the film for not living up to the claims its publicists had made for it.
Gangs of New York (2003) by Martin Scorsese

SCORSESE’S GANGS OF NEW YORK: WHY MYTH MATTERS

by Timothy J. Gilfoyle MARTIN SCORSESE, et al., Gangs of New York: Making the Movie. New York: Miramax Books, 2002, pp. 228, illustrations, $24.95 paper. HERBERT...
The Grapes of Wrath (1940) - Henry Fonda and Jane Darwell

THE GRAPES OF WRATH (1940) – Review by Dilys Powell

by Dilys Powell The Grapes of Wrath is not just a film, not just a tragedy, not just a social indictment even; it is an...
The Grapes of Wrath (1940) - Pa Joad (Russell Simpson), Ma Joad (Jane Darwell) and Tom Joad (Henry Fonda)

THE GRAPES OF WRATH (1940): THEMATIC EMPHASIS THROUGH VISUAL STYLE

by Vivian C. Sobchack Since its release in 1940, the film version of The Grapes of  Wrath has attracted enormous and enduring critical and popular...
Francis Ford Coppola discusses a scene with Marlon Brando on the set of Apocalypse Now

APOCALYPSE NOW (1979): JOSEPH CONRAD AND THE TELEVISION WAR

"The most important thing I wanted to do in the making of Apocalypse Now was to create a film experience that would give its audience a sense of the horror, the madness, the sensuousness, and the moral dilemma of the Vietnam war. "
Peter Sellers as Dr Strangelove, a wheelchair bound ex-Nazi professor

SEX AND DR. STRANGELOVE

This study will point out how Dr. Strangelove is a sex allegory: from foreplay to explosion in the mechanized world.
Year of The Dragon (1985)

L’ANNO DEL DRAGONE – Recensione di Gualtiero De Marinis per...

C'è un patto di non aggressione tra la polizia e gli «anziani» della comunità cinese di Chinatown. Ma quando al posto dell'opimo William McKenna arriva l'agile Stanley White le cose cambiano.
Griffin Dunne and Rosanna Arquette in After Hours, 1985

FUORI ORARIO (1986) – Recensione di Franco La Polla per “Cineforum”

«Cambiano le regole. Quando si fanno le ore piccole è zona franca», dice il simpatico barista a Marcy e Paul, offrendo loro la consumazione, per divenire di lì a poco il burbero, inesorabile proprietario che impone al giovane l’ordinazione.
Platoon (1986) - Willem Dafoe, Charlie Sheen and Tom Berenger

PAULINE KAEL ON OLIVER STONE’S PLATOON

Pauline Kael reviews Oliver Stone's "Platoon". Published in "The New Yorker", January 12, 1987
The Shining - Scatman Crothers

BEHIND THE SCENES OF “THE SHINING” WITH SCATMAN CROTHERS

"I wanted to play the part of Dick Halloran before I even knew that they were going to make the movie," says Scatman Crothers
Goodfellas - Henry Hill (Ray Liotta), Jimmy Conway (Robert De niro), Paul Cicero (Paul Sorvino) Martin Scorsese and Tommy DeVito (Joe Pesci)

MARTIN SCORSESE: PLAYBOY INTERVIEW (1991)

Martin Scorsese interviewed by David Rensin for Playboy magazine, April 1991
Lolita (1962) - Sue Lyon (Dolores Haze - Lolita) and James Mason (Humbert Humbert)

THE THREE FACES OF LOLITA, OR HOW I LEARNED TO STOP...

Lolita’s path from novel to the Stanley Kubrick's and Adrian Lyne's film adaptations. Essay by Rebecca Bell-Metereau
Eyes Wide Shut (1999) - Victor Ziegler (Sidney Pollack) and William Harford (Tom Cruise)

FROM ‘TRAUMNOVELLE’ (1927) TO SCRIPT TO SCREEN—’EYES WIDE SHUT’ (1999)

Stanley Kubrick came very late in life to the screen adaptation of Arthur Schnitzler’s novella, though he had read it and been intrigued by it some thirty years earlier.
Gerbier (Lino Ventura, left) and Felix (Paul Crauchet), discuss an imminent operation

ARMY OF SHADOWS: PIÈCE DE RÉSISTANCE

Pierre Lhomme, recalls his work on "Army of Shadows", Jean-Pierre Melville's 1969 masterpiece about the French Resistance
A Clockwork Orange - Alex

ARANCIA MECCANICA – Recensione di Giovanni Grazzini

Giovanni Grazzini recensisce "Arancia Meccanica" di Stanley Kubrick. Corriere della Sera, 24 agosto 1972
2001: A Space Odyssey - Frank Poole (Gary Lockwood)

2001: A SPACE ODYSSEY – CATCHER IN THE MILKY-WAY

Paul Schrader reviews Stanley Kubrick's "2001: A Space Odyssey". Published in 'Spectacle', September 13, 1968
The Age of Innocence (1993) Daniel Day-Lewis and Michelle Pfeiffer

THE AGE OF INNOCENCE: DREAD AND DESIRE

Aching desire and repression and guilt collide in Scorsese’s version of Edith Wharton’s 'The Age of Innocence'
The Grapes of Wrath (1940) by John Ford - The cast

THE ARTFUL PROPAGANDA OF FORD’S “THE GRAPES OF WRATH”

Athough audiences still want to see John Ford's "The Grapes of Wrath" (1940), it has been belittled by critics since the emergence of scholarly interest in American film in the 1960s.
Francis Ford Coppola on the set of The Godfather Part II (1974)

FRANCIS FORD COPPOLA: PLAYBOY INTERVIEW (1975)

American director Francis Ford Coppola interviewed by William Murray for Playboy magazine, July 1975 issue
Paths of Glory (1957) Colonel Dax.jpg

PATHS OF GLORY – Review by Bosley Crowther

To a certain extent, this forthright picture has the impact of hard reality, mainly because its frank avowal of agonizing, uncompensated injustice is pursued to the bitter, tragic end.
Paths of Glory (1957) Colonel Dax inspects his men before assaulting the Anthil

PATHS OF GLORY – Review by Dilys Powell

Paths of Glory is the work of a brilliant young professional who is easing himself into the more difficult teaches of his job.
Paths of Glory (1957) Kirk Douglas as Colonel Dax

KUBRICK: LA GUERRA E LA STORIA

Il film di Kubrick "Paths of Glory" visto nel contesto della cinematografia più critica verso la Grande Guerra
Paths of Glory (1957) Assault on German positions

COBB AND KUBRICK: AUTHOR AND AUTEUR: (PATHS OF GLORY AS NOVEL...

Not the least of the virtues of Stanley Kubrick’s movie version of Paths of Glory is that it has been a chief help in rescuing Humphrey Cobb’s 1935 novel— now appearing, as they say, on your neighborhood book-stand.
Dr. Strangelove- General Jack D. Ripper (Sterling Hayden)

DR. STRANGELOVE: NIGHTMARE COMEDY AND THE IDEOLOGY OF LIBERAL CONSENSUS

by Charles Maland DR. STRANGELOVE OR: HOW I LEARNED TO STOP WORRYING AND LOVE THE BOMB (Stanley Kubrick, 1964) is one of the most...
Eyes Wide Shut - Tom Cruise, Nicole Kidman, and Stanley Kubrick during a break in shoot on the set

EYES WIDE SHUT: STANLEY, TOM AND NICOLE—THREE OF A KIND

Tom and Nicole tell how they succumbed to Stanley Kubrick's obsession—and his charm
Eyes Wide Shut (1999) - Tom Cruise (William Harford)

EYES WIDE SHUT: ALL EYES ON THEM – Review by Richard...

The theme is sexual obsession. The stars are Tom Cruise and Nicole Kidman. The director is Stanley Kubrick. Who could look anywhere else?
A Clockwork Orange - Alex in the record shop where he picks up two young women

ARANCIA MECCANICA: ROLL OVER BEETHOVEN

E se "Arancia meccanica" fosse il primo metafilm di tutto il cinema postmoderno? Saggio di Marcello Walter Bruno
A Clockwork Orange - Alex DeLarge (Malcolm McDowell)

ARANCIA MECCANICA E LOLITA: KUBRICK REPLAY

Le riedizioni di Lolita e di Arancia Meccanica: il cinema come "magnifica ossessione", la componente ludica della violenza in una messa in scena "assoluta" delle nostre pulsioni e illusioni culturali.
Dr. Stangelove - Peter Sellers as Dr. Strangelove

DR. STRANGELOVE – Review by Bosley Crowther

Stanley Kubrick's new film, called Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb, is beyond any question the most shattering sick joke I've ever come across.
Full Metal Jacket - Animal Mother and Joker take cover from the sniper's intense fire

FULL METAL KUBRICK – UN DOSSIER PROVVISORIO di Paolo Cherchi Usai

Full Metal Jacket (1987) di Stanley Kubrick. Recensione di Paolo Cherchi Usai, in "Segnocinema", n. 31, 1988
Full Metal Jacket - Seven-six-two millimeter, full metal jacket

FULL METAL JACKET: KUBRICK’S ULTERIOR WAR

Stanley Kubrick's "Full Metal Jacket" review published in Film Comment, September/October 1998. By Robert Castle and Stephen Donatelli
Eyes Wide Shut (1999) - Tom Cruise as Dr. Bill Harford

EYES WIDE SHUT: KUBRICK CASTS A RIVETING SPELL

Unquestionably one of the most highly anticipated films of modern times due to its high-powered talent combo, protracted and secrecy-enshrouded shoot, rumored racy content
Full Metal Jacket (1987) - Under sniper's fire

FULL METAL JACKET: PONDEROSO – Review by Pauline Kael

Chances are that when Stanley Kubrick’s Vietnam film Full Metal Jacket is at midpoint a lot of moviegoers will be asking themselves what it’s going to be about, and when it’s over they still won’t know.
Heaven's Gate (1980) Isabelle Huppert and Kris Kristofferson

I CANCELLI DEL CIELO: RECENSIONE DI “SEGNO CINEMA”

I cancelli del cielo si aprono sull’inferno. Il film è il crack economico più disastroso di tutti i tempi e gode di un efferato ostracismo critico indigeno
The Deer Hunter - "You want to play games? I'll play your game."

IL CACCIATORE – Recensione di Morando Morandini

Morando Morandini recensisce "Il cacciatore" di Michael Cimino
The Deer Hunter (1978) - Michael (Robert De Niro) hunts and kills a deer.jpg

THE DEER HUNTER: “THE NEW YORK TIMES” REVIEW

Vincent Canby reviews Michael Cimino's "The Deer Hunter" for The New York Times, December 15, 1978
Gangs of New York (2002) Bill ''The Butcher'' Cutting (Daniel Day-Lewis) and Amsterdam Vallon (Leonardo Di Caprio)

GANGS OF NEW YORK: AMERICA OF SCORSESE

Gangs of New York (2002) di M. Scorsese. Contributi critici di F. La Polla, F. Cattaneo, E. Morreale, A.G. Mancino e A. Piccardi. Cineforum 423, marzo 2003
The Pianist (2002) by Roman Polansk - Adrien Brody (Władysław Szpilman) and Thomas Kretschmann (Captain Wilm Hosenfeld)

IL PIANISTA (2002) – Recensione Cineforum

Contributi critici di Emanuela Martini e Francesco Cattaneo. In "Cineforum" 421, gennaio 2003
Frodo and Sam continue their journey towards Mordor to destroy the One Ring, meeting and joined by Gollum

IL SIGNORE DEGLI ANELLI: LE DUE TORRI – IL CREPUSCOLO DEGLI...

Nella Terra di Mezzo, il Male sta dilagando; le sue schiere si rafforzano e si infittiscono, mentre il minuscolo esercito del Bene è disperso e confuso.
AI - Artificial Intelligence - Jude Law (Gigolò Joe) and Haley Joel Osment (David)

A.I. INTELLIGENZA ARTIFICIALE: UN MONDO SENZA PIETÀ – Speciale Cineforum

"A.I." delinea l'immagine di un mondo (futuro?) in cui "nascere" robot aiuta forse a capire, ma non a sconfiggere il destino di solitudine e silenzio che incombe sulla specie umana
Uomini Contro (1970)

UOMINI CONTRO: RECENSIONI ITALIANE

Con contributi di Giovanni Grazzini (Il Corriere della Sera), Calisto Cosulich (ABC), Onorato Orsini (La Notte), Ugo Casiraghi (l’Unità)
Hossein Sabzian, the hero of Abbas Kiarostami's film Close-Up (1990)

RETAKE: THE FILMS OF ABBAS KIAROSTAMI

Rereading articles in 'Positif' on Iranian cinema recalls opportunely that the appearance on the international scene of Abbas Kiarostami was not without precedence: the soil of Iran was already cinematographically fertile
Full Metal Jacket - Joker (Matthew Modine) and Rafterman (Kevyn Major Howard) are approached by a Vietnamese hooker (Papillon Soo Soo)

FULL METAL JACKET: PAINT IT BLACK

Stanley Kubrick’s Full Metal Jacket (1987) presents a very different vision of the Vietnam War, one with enhanced perspective.
Year of the Dragon - Mickey Rourke (Capt. Stanley White) confronts John Lone (Joey Tai)

L’ANNO DEL DRAGONE: RECENSIONE DI ‘SEGNO CINEMA’

Cimino fa sollevare le comunità cinesi d’America per la sua ritrattistica di una mafia gialla che tesaurizza tutta l’iconografia hollywoodiana in materia, da Fu Manchu in poi
Year of the Dragon - Restaurant Shoot-out

THE RIGHT PLACE: INTERVISTA A MICHAEL CIMINO

Intervista a Michael Cimino realizzata da Marc Chevrie, Jean Narboni e Vincent Ostria, Cahiers du Cinéma n. 377
A Clockwork Orange - Alex's Droogs

ARANCIA MECCANICA (RIEDIZIONE, 1998) – Recensioni italiane

Raccolta di recensioni italiane pubblicate in occasione della riedizione del film di Stanley Kubrick 'Arancia meccanica' nel 1998
Jack Torrance (Jack Nicholson) attacks with an axe the door of the bathroom inside which his wife Wendy (Shelley Duvall) is trapped

THE SHINING: Review by Robert Hatch for “The Nation”

I am not certain what it means to call Stanley Kubrick's The Shining "the first epic horror film," as the ads are quoting Jack Kroll of Newsweek, but surely it is one of the strangest of them.
Full Metal Jacket - Private Joker (Matthew Modine) with his M14 Rifle in bed

FULL METAL JACKET: Review by Terrence Rafferty for “The Nation”

Full Metal Jacket certainly isn’t what we expect a Vietnam movie to be. Then again, it’s only secondarily a movie about the war. First and foremost, this is a Kubrick movie
Robin Williams

ROBIN WILLIAMS: PLAYBOY INTERVIEW (1992)

In 1992, the actor-comedian revealed the wonderful agony of stand-up, the perils of a life in Hollywood, and manic temptations that came with his Oscar-nominated gifts
Eyes Wide Shut - Nicole Kidman (Alice)

EYES WIDE SHUT: L’ULTIMA LUCCICANZA DI KUBRICK

Recensioni di 'Eyes Wide Shut' pubblicate sulla rivista Duel, n.74, Ottobre 1999. Contributi critici di Ezio Alberone, Gianni Canova e Mario Sesti
Stanley Kubrick on set

STANLEY KUBRICK RAPS

Interviewer Charlie Kohler met with Kubrick in an MGM conference room surrounded by posters and stills from 2001. Kubrick was eager to discuss his new film.
2001 A Space Odyssey - The Star Child looking at the Earth

BODIES IN SPACE: FILM AS CARNAL KNOWLEDGE

Annette Michelson in her famous 1969 essay, Bodies in Space: Film as 'Carnal Knowledge' in which she explored the phenomenal impact of 2001: A Space Odyssey
Sergeant York (1941) by Howard Hawks - Gary Cooper (right) as Alvin York

TODD MCCARTHY ON ‘SERGEANT YORK’ (1941)

Todd McCarthy on Howard Hawk's movie "Sergeant York" (1941), the story of Alvin C. York, one of the most decorated soldiers in American history
2001: A Space Odyssey

2001: ODISSEA NELLO SPAZIO – Analisi di Enrico Ghezzi, Il Castoro...

Il 1968 fu un anno memorabile. Il primo Giro vinto da Eddy Merckx, Beamon che a Città del Messico salta 8,90 in lungo, il Maggio, Praga. Inoltre, esce 2001: Odissea nello spazio
2001 A Space Odyssey - Bowman inside the bedroom decorated in a palatial, 1700s French baroque (Louis XVI) style

PAULINE KAEL ON ‘2001: A SPACE ODYSSEY’

Kubrick literally learned to stop worrying and love the bomb; he’s become his own butt—the Herman Kahn of extraterrestrial games theory
Arthur Penn's Bonnie and Clyde

BONNIE AND CLYDE: REVIEW BY PAULINE KAEL

How do you make a good movie in this country without being jumped on? Bonnie and Clyde is the most excitingly American American movie since The Manchurian Candidate.
[Left] John Alcott and Stanley Kubrick on the set of The Shining. [Right] Kubrick with Garrett Brown and the Steadicam

BEHIND THE CAMERAS ON “THE SHINING”

August 1980 issue of American Cinematographer magazine, including an interview with John Alcott and an article on the use of Garrett Brown’s invention, the steadicam, in The Shining.
Full Metal Jacket - Private Pyle & the Jelly Doughnut

FULL METAL JACKET: L’OSSESSIONE SENZA FINE DELLA GUERRA IN VIETNAM

Forse l'America ha trovato il sistema per esorcizzare una guerra dolorosamente perduta: basta continuare a combatterla al cinema, all'infinito.
Full Metal Jacket - Animal Mother (Adam Baldwin)

FULL METAL JACKET: KUBRICK E I ‘MINISTRI DI MORTE’

Tullio Kezich recensisce il nuovo film di Stanley Kubrick "Full Metal Jacket". Pubblicato in La Repubblica, 10 ottobre 1987
The Shining - Danny Torrance (Danny Lloyd) and the Grady daughters (Lisa and Louise Burns)

EFFETTO “SHINING”: TECNICA ED ESPRESSIONE DELL’ULTIMO KUBRICK

Saggio di di Paolo Cherchi Usai. “Segnocinema”, 1981, n. 1
Francis Ford Coppola on the set of The Godfather Part III, 1991

FRANCIS FORD COPPOLA: AN OFFER HE COULDN’T REFUSE

Francis Ford Coppola on 'The Godfather Part III. Interview by Ana Maria Bahiana for CINEMA Papers
Callie Khouri and a scene from Ridley Scott's 'Thelma & Louise'

CALLIE KHOURI: SCRIPTING THELMA & LOUISE

Interview by Ana Maria Bahiana. In a town like LA, where everybody from your valet parker to your dentist seems to be writing a screenplay with dreams of wealth and glory on their minds, Callie Khouri is a strange, notable exception.
The boys Henry Hill (Ray Liotta), Jimmy Conway (Robert De niro), Paul Cicero (Paul Sorvino) and Tommy DeVito (Joe Pesci). Publicity still for Martin Scorsese's Goodfellas.

MARTIN SCORSESE: GANGSTER AND PRIEST

Martin Scorsese's Goodfellas: Interview by Ana Maria Bahiana and Afterword by Raffaele Caputo. From CINEMA Papers, December 1990
The Shining (1980) Danny plays in the corridors of the Overlook Hotel

VIEW FLAWS DON’T DIM ‘THE SHINING’ by Janet Maslin

Stanley Kubrick, once again leaves his audiences asking a familiar question: How can anyone make a film so fastidiously beautiful and still leave so many loose ends?
The Shining - Danny riding his tricycle down the hallway in the Overlook

THE SHINING: Review by Janet Maslin for the New York Times

The Shining, Stanley Kubrick's spellbinding foray into the realm of the horror film, is at its most gloriously diabolical as Jack and Wendy Torrance take the grand tour.
Vertigo (1958) - The tower sequence

EYES WIDE SHUT E VERTIGO: EROTISMO, MORTE E METAFISICA IN KUBRICK...

Eyes Wide Shut (1999), capolavoro postumo di Stanley Kubrick, condivide con Vertigo (1958), di Alfred Hitchcock, non solo le linee tematiche di sviluppo, ma anche quelle linguistiche e strutturali.
Eyes Wide Shut - Victor Ziegler (Sidney Pollack) and William Harford (Tom Cruise)

EYES WIDE SHUT: KUBRICK SE NE VA LASCIANDOCI L’ENIGMA

Porteremo a lungo nella memoria l’enigma di questo film, che è come una dolce e vaga serata d’addio di un nostro misterioso amico settantunenne, che ci ha lasciato per sempre senza svelarci quasi nessuno dei suoi segreti.
2001: A Space Odyssey - The monolith

2001: A PHILOSOPHICAL ODYSSEY

In 2001: A Space Odyssey (1968) we are invited by director Stanley Kubrick to experience a mesmerizing yet also alienating form of sensory liberation, as paradoxical as such an experience may at first sound.
Blade Runner, Deckard (Harrison Ford) pursues Replicant, Zhora (Joanna Cassidy) through the crowded streets of a hellishly dystopian future Los Angeles

BLADE RUNNER: RECENSIONE DI GIOVANNI GRAZZINI

Uno dei più clamorosi film di fantascienza che si siano visti negli ultimi anni, una delle più sgomentevoli profezie sull'imminente medioevo, uno dei frutti più maturi del cinema spettacolare.
Once upon a time in America - The gang watches Noodles being arrested and taken away by the police

C’ERA UNA VOLTA IN AMERICA: LEONE E LA MEMORIA – di...

L'operazione dei distributori americani di tagliare e rimontare cronologicamente il film di Sergio Leone, C’era una volta in America, è un atto di violenza che riduce in polvere, cancellandolo, il cuore narrativo stesso di questo film
Deckard (Harrison Ford) and Replicant Roy Batty (Rutger Hauer) in the Ridley Scott film Blade Runner

BLADE RUNNER: REVIEW BY PAULINE KAEL

Blade Runner doesn’t engage you directly; it forces passivity on you. It sets you down in this lopsided maze of a city, with its post-human feeling, and keeps you persuaded that something bad is about to happen.
Michelangelo Antonioni

MICHELANGELO ANTONIONI: THE PLAYBOY INTERVIEW

As the creator of such meticulously crafted and psychologically penetrating films as L‘Avventura, Red Desert and Blow-Up, 55-year-old Michelangelo Antonioni has earned a lofty but controversial niche among cinematic chroniclers of the problems that beset modern man.
Apocalypse Now - The Photojournalist (Dennis Hopper), Captain Benjamin L. Willard (Martin Sheen) and Jay 'Chef' Hicks (Frederic Forrest)

APOCALYPSE NOW: THE NEW YORK TIMES REVIEW

Francis Coppola's Apocalypse Now lives up to its grand title, disclosing not only the various faces of war but also the contradictions between excitement and boredom, terror and pity, brutality and beauty.
Apocalypse Now - Colonel Walter E. Kurtz, portrayed by Marlon Brando

UNA TENEBRA INCOMPIUTA: CONRAD RIPRODOTTO

Apocalypse Now come segno della divisione fra il moderno e il postmoderno. Saggio di Francesco Binni
Red Desert (1964) by Michelangelo Antonioni - Monica Vitti

DESERTO ROSSO: RECENSIONE DI GIOVANNI GRAZZINI

È il male del secolo, tutti ne siamo affetti. Matti incurabili, l'unico conforto ci viene dal tenere per mano un bambino e dall'avere coscienza della nostra condizione. La colpa di tutto? Innanzi tutto, della civiltà industriale.
Francis Ford Coppola on set

FRANCIS COPPOLA: THE ROLLING STONE INTERVIEW (1982)

The director discusses his new movie — One from the Heart — and his bold vision for the future of filmmaking
Mario Monicelli

MARIO MONICELLI: «BASTA CON QUESTE BUFFONATE!»

Orio Caldiron intervista Mario Monicelli, l'inventore della commedia all'italiana, prima bistrattata e poi rivalutata
Once Upon a Time in America - The boys' gang roams the streets of the Lower East side of New York in the 1920s

ONCE UPON A TIME IN AMERICA: REVIEW BY “CINEMA PAPERS”

Much of the confusion about "Once Upon a Time in America" stems from a certain critical inability to understand why the film is structured the way it is, and why Leone chooses to conclude the fiction with such a supposedly enigmatic scene.
Sergio Leone con Ennio Morricone

ENNIO MORRICONE: INTERVIEW

Ennio Morricone has written some of the cinema's most- recognizable and best-loved film scores including the recent Sergio Leone's "Once Upon a Time in America". Here he is inter­viewed by Sue Adler.
Once Upon a Time in America - Bugsy shoots little Dominic

ONCE UPON A TIME IN AMERICA: THE NEW YORK TIMES REVIEW

A lazily hallucinatory epic that means to encapsulate approximately 50 years of American social history into a single film
Once Upon a Time in America - Robert De Niro (Noodles) and director Sergio Leone

C’ERA UNA VOLTA IN AMERICA: Recensione di Giovanni Grazzini

Recensione del film di Sergio Leone "C'era una volta in America", a cura di Giovanni Grazzini, Il Corriere della Sera, 21 maggio 1984
Once Upon a Time in America - Noodles (Robert De Niro)

C’ERA UNA VOLTA IN AMERICA: ODIOSO SUBLIME LEONE

Tullio Kezich recensisce dal Festival di Cannes il film di Sergio Leone "C'era una volta in America"
2001 A Space Odyssey - 005

2001: ODISSEA NELLO SPAZIO – Recensione di Giovanni Grazzini

Non siamo soli nell'universo. Per convincercene, e umiliare il nostro orgoglio, Stanley Kubrick ha scritto e diretto il più clamoroso e agghiacciante film di fantascienza, o come lui dice, di "prescienza", che sinora sia apparso sugli schermi del sistema solare.
Capote - Philip Seymour Hoffman

A SANGUE FREDDO

Quando Philip Seymour Hoffman sale sul palco del teatro Walter Reade, a Manhattan, sono appena passati i titoli di coda di Capote, il film che potrebbe valergli l’Oscar 2005 per il migliore interprete maschile.
Takeshi Kitano - Photo by L. Carême

TAKESHI KITANO: ARTISTA A DUE FACCE

È uno dei registi giapponesi più amati del mondo. Ma nel suo paese si fa chiamare Beat Takeshi ed è il re della tv spazzatura
Howl's Moving Castle

IL CASTELLO ERRANTE DI HOWL: MIYAZAKI LIBERA TUTTI

Il 9 settembre esce in Italia Il castello errante di Howl del regista giapponese Hayao Miyazaki. Che anche questa volta assegna all’immaginazione dei bambini il compito di salvare il mondo
Gny. Stg. Hartman (Lee Ermey) harangues platoon members in the barracks

FULL METAL JACKET: CYNIC’S CHOICE

September 1987 issue of American Cinematographer, detailing the making of Stanley Kubrick's film 'Full Metal Jacket'.
Platoon - Charlie Sheen

PLATOON: Review by Terrence Rafferty for “The Nation”

Oliver Stone’s Platoon, about a group of American infantrymen in Vietnam between 1967 and 1968, is the first Hollywood film about this country’s Southeast Asian adventure that’s just a war movie
Full Metal Jacket - The unit under sniper fire

FULL METAL JACKET: REMOTE CONTROL

Review of Stanley Kubrick's "Full Metal Jacket", by Terrence Rafferty, in Sight and Sound, Autumn 1987
Stanley Kubrick on set

STANLEY KUBRICK: QUEST FOR PERFECTION

Stanley Kubrick’s cinematic collaborators recall the man and his very unique methods
Eyes Wide Shut - Nicole Kidman and Tom Cruise

EYES WIDE SHUT: A SWORD IN BED

Cinematographer Larry Smith helps Stanley Kubrick craft a unique look for Eyes Wide Shut, a dreamlike coda to the director’s brilliant career
A Clockwork Orange - Ludovico technique

A CLOCKWORK ORANGE: THE OLD ULTRA-VIOLENCE

Director Stanley Kubrick lent a learned eye to A Clockwork Orange, enlisting lighting cameraman John Alcott, BSC to help create a bleak dystopian futurescape
Paul Schrader, Martin Scorsese and Robert De Niro on the set of Taxi Driver

PAUL SCHRADER ON TAXI DRIVER

In this extract from Schrader on Schrader, a collection of interviews and essays, screenwriter Paul Schrader tells Kevin Jackson about the genesis of Travis Bickle, working with Martin Scorsese and the link between the Coppertone advert and Crime and Punishment
A Clockwork Orange - The scene of the rape of the author's wife

VIDDY WELL, LITTLE BROTHER!

A Clockwork Orange by Tony Parsons A Clockwork Orange was like seeing your little life blown up and put on the big screen. It took...
Gertrud by Carl Theodor Dreyer

GERTRUD DI CARL THEODOR DREYER

Giovanni Grazzini recensisce per il Corriere della Sera il film "Gertrud" di Carl Theodor Dreyer
Il Vangelo secondo Matteo - Enrique Irazoqui in una scena del film

IL VANGELO SECONDO MATTEO DI PIER PAOLO PASOLINI

A ogni altra considerazione sul film che Pasolini ha tratto dal Vangelo secondo Matteo bisogna avanzare una premessa: l'azzardo ha avuto già il suo premio nel coraggio, nella buona fede, nella rigorosa aderenza al testo sacro.
The Shining - Jack Torrance (Jack Nicholson) in the hedge maze

KUBRICK AND ‘THE SHINING’

P.L. Titterington discusses the evolution of Kubrick’s style and the language of his ideas.
2001: A Space Odyssey

IL SETTECENTO DI BARRY LYNDON E DI 2001: ODISSEA NELLO SPAZIO

Avvisaglie della fine impossibile di Francesco Cattaneo «...è l'individuo tale quale, elementare e tortuoso, vomitato dal Caos in piena Versailles". E.M. Cioran (1). «La luce è tenebra...
2001 A Space Odyssey

2001: ODISSEA NELLO SPAZIO: Recensione di Fernaldo di Giammatteo

Il caso di 2001: A Space Odyssey, film di enorme successo e di enorme sfortuna, è uno dei più clamorosi. Tanti furono i sofismi che ne accolsero l’uscita da indurre lo stesso Stanley Kubrick a fornire, un poco infastidito, la sua semplice spiegazione
2001: A Space Odyssey - The hominid grabs a large bone and begins pounding the ground and other bones around him

A SKELETON KEY TO 2001

The young cult for Stanley Kubrick's 2001: A Space Odyssey now has its HolyWrit. The second 70 mm. release of the movie was accompanied by a collection entitled The Making of Kubrick's '2001' and edited, with the cooperation of the director, by Jerome Agel.
Mario Monicelli dietro la macchina da presa

MARIO MONICELLI: IL MIO CINEMA FRA MUSSOLINI, SORDI E GORBACËV

E' stato uno dei più grandi registi italiani di tutti i tempi. Qui ripercorre la sua vita in un racconto intensissimo e divertente, amaro e surreale. Proprio come le sue commedie.
Hit the road: Jack Torrance (Jack Nicholson) drives his wife Wendy (Shelley Duvall) and son Danny Danny Lloyd) to their long winter at the Overlook Hotel

THE SHINING: RESIDENT PHANTOMS

Jonathan Romney looks for clues to Stanley Kubrick’s themes in The Shining’s Overlook Hotel (Sight and Sound, September 1999)
Eyes Wide Shut - ... We should be grateful...

EYES WITHOUT A FACE

Eyes Wide Shut movie review by Charles Whitehouse, Sight and Sound, September 1999
Robert Bresson

ROBERT BRESSON: THE POETRY OF PRECISION

Robert Bresson interview with Michel Ciment for American Film, October 1983
2001: A Space Odissey

‘2001’ IS UP, UP AND AWAY: KUBRICK’S ODYSSEY IN SPACE BEGINS...

2001: A Space Odyssey, a film in which infinite care, intelligence, patience, imagination and Cinerama have been devoted to what looks like the apotheosis of the fantasy of a precocious, early nineteen-fifties city boy.
Lolita - Peter Sellers and Shelley Winters

LOLITA (1962) – Review by Dilys Powell

See the film twice within the space of five days: the test is severe, especially when the original from which the piece is drawn is already familiar...
A Clockwork Orange Stanley Kubrick Behind the Scenes

KUBRICK COUNTRY – Interview by Penelope Houston

Kubrick Country by Penelope Houston, an interview on A Clockwork Orange, Saturday Review, 25 December 1971
Full Metal Jacket - Pyle (Vincent D'Onofrio)

FULL METAL JACKET Recensione di Giovanni Grazzini

di Giovanni Grazzini Il tempo passa ma Kubrick non cambia idea: fra tutte le maniere di morire la guerra continua a sembrargli la più cretina....
Eyes Wide Shut

MEMORY’S ORBIT: EYES WIDE SHUT

Mixing memoir and cultural criticism, Joseph Natoli examines Stanley Kubrick's "Eyes Wide Shut"
Full Metal Jacket

MALE BONDING, HOLLYWOOD ORIENTALISM, AND THE REPRESSION OF THE FEMININE IN...

Susan White investigates the problem of gender in Kubrick’s "Full Metal Jacket"
A Clockwork Orange - Alex (Malcolm McDowell)

CIRCULAR MISADVENTURES: STANLEY KUBRICK’S A CLOCKWORK ORANGE

The title of Stanley Kubrick's latest film, "A Clockwork Orange", alludes in two different ways to something circular or spherical that is closed on itself and spins. By Jean-Loup Bourget
Stanley Kubrick and Federico Fellini

MYTHMAKING IN KUBRICK AND FELLINI

Irving Singer compares Kubrickean and Homeric epics and analyzes in depth the self-referential mythmaking of Federico Fellini in many of his movies, including 8½
The Passion of the Christ - Jim Caviezel and Mel Gibson

THE PASSION OF THE CHRIST: THE GOSPEL ACCORDING TO MEL

Christopher Hitchens reviews for Vanity Fair Mel Gibson's "The Passion of the Christ"
Once upon a time in America

ONCE UPON A TIME IN AMERICA – Reviewed at Cannes Festival

Sergio Leone's "Once upon a time in America" reviewed at the Cannes film Festival by Todd McCarthy for "Variety"
FULL METAL JACKET 1987 DIRECTED BY STANLEY KUBRICK Vincent d'Onofrio, Matthew Modine and R.Lee Ermey

FULL METAL JACKET Review by Todd McCarthy

Todd McCarthy reviews Stanley Kubrick's "Full Metal Jacket" for Variety magazine in 1987
Federico Fellini e Indro Montanelli

MONTANELLI VEDE LA DOLCE VITA

Indro Montanelli, invitato da Federico Fellini ad una proiezione privata del suo nuovo film, La dolce vita, racconta le sue impressioni sulla pellicola
Michael Herr

KUBRICK – BY MICHAEL HERR

The screenwriter of "Full Metal Jacket", Michael Herr, pays homage to his longtime friend, director Stanley Kubrick
Eyes Wide Shut - Nicole Kidman

EYES WIDE SHUT: IN DREAMS BEGIN RESPONSIBILITIES

Jonathan Rosenbaum reviews Stanley Kubrick's Eyes Wide Shut
Federico Fellini

FAMOUS ITALIAN DIRECTOR

Oriana Fallaci interviews Federico Fellini
Michael Cimino behind the camera

INTERVIEW WITH MICHAEL CIMINO – American Cinematographer 1980

Intervista di Herb Lightman pubblicata in American Cinematographer n. 11, novembre 1980
2001: A Space Odyssey

2001: A COLD DESCENT

Stanley Kubrick’s futuristic 1968 epic ‘2001: A Space Odyssey’ still has the power to startle. Mark Crispin Miller re-examines its subversive vision of power, sex and isolation
Meryl Streep as Sarah in The French Lieutenant's Woman

IN SEARCH OF THE FRENCH LIEUTENANT’S WOMAN

by Richard Combs The South Coast town of Kingswear is a ferry stop across river from Dartmouth, which by comparison is something of a metropolis....
Paths of Glory - Colonel Dax (Kirk Douglas)

ORIZZONTI DI GLORIA di Guido Fink

Numero monografico del 1971 - ormai quasi introvabile - dedicato al film di Stanley Kubrick "Orizzonti di Gloria"
Deliverance - Ed Gentry (Jon Voight)

DELIVERANCE – BLOOD BROTHERS

John Boorman’s cult film Deliverance is a rape-revenge movie with a difference. Its haunting power lies in what it tries not to show. by Linda Ruth Williams
2001: A Space Odyssey

2001: A SPACE ODYSSEY – Review by Penelope Gilliatt

Penelope Gilliatt's review of "2001: A Space Odyssey", by Stanley Kubrick. Published in the New Yorker magazine
Lolita - Sue Lyons

LOLITA – Recensione di Giovanni Grazzini

Il film "Lolita" di Stanley Kubrick recensito da Giovanni Grazzini per il Corriere della Sera nel 1962
Michael Cimino during the filming of The Deer Hunter

MICHAEL CIMINO – INTERVIEW WITH MARK PATRICK CARDUCCI (1977)

This interview with Michael Cimino by Mark Patrick Carducci took place on the set of The Deer Hunter in Mingo, Pennsylvania, in July 1977
The Deer Hunter - Michael Cimino on the set with Robert De Niro

ENTRETIEN AVEC MICHAEL CIMINO

Traduzione italiana dell'intervista rilasciata da Michael Cimino alla rivista francese "Positif" nel 1979
James Averill (Kris Kristofferson) faces the realization that 125 citizens of his town are condemned to day in Michael Cimino's "Heaven's Gate"

HEAVEN’S GATE: RECENSIONE DI ERMANNO COMUZIO

Heaven’s Gate non è solo un film. È un affair, uno scandalo, un trauma. Un fatto che trascende il mondo del cinema. Forse un banco di prova o addirittura un nodo cruciale.
Monsieur Klein - Alain Delon and Juliet Berto

MR. KLEIN E EYES WIDE SHUT: UMILIAZIONE E VERTIGINI DELL’IDENTITÀ

Nelle loro rispettive peculiarità, Mr. Klein e Eyes Wide Shut si collocano entrambi sotto il segno di una velenosa e sottile ambiguità
2001: A Space Odyssey

FILM COME CONOSCENZA CARNALE di Annette Michelson

Traduzione italiana del famoso saggio di Annette Michelson del 1969 su "2001: Odissea nello spazio" di Stanley Kubrick
Lolita - James Mason, Shelley Winters and Sue Lyon

LOLITA – Review by Pauline Kael

Pauline Kael's review of Stanley Kubrick's Lolita is one of her best—inspired, incisive, exuberant
Once upon a time in America - Noodles (Robert De Niro) in the Chinese opium den

ONCE UPON A TIME IN AMERICA – Review by Pauline Kael

Sergio Leone's Once upon a time in America reviewed by Pauline Kael
Once Upon a Time in America - Max and Noodles

SERGIO LEONE AND THE CONSTRUCTION OF MYTH

Peter Babiak on how Leone in "Once Open a Time in America" used an archetypal cultural genre - the gangster film - in order to examine the impact of American cultural myth on American society
The Shining - Jack Torrance (Jack Nicholson)

THE SHINING – Review by Pauline Kael

Pauline Kael's appreciative but skeptical review of Stanley Kubrick's "The Shining", The New Yorker, 1980
The Shining - Jack Torrance in Overlook staff party from 1921

ORA L’ODISSEA DI KUBRICK È NEL CERVELLO

Giovanni Grazzini recensisce per il Corriere della Sera "Shining" di Stanley Kubrick
Persona (1966) Bibi Andersson and Liv Ullmann

PERSONA – Review by Susan Sontag

Susan Sontag reviews Ingmar Bergman's "Persona" for Sight and Sound magazine
Master Gunnery Sergeant Hartman (R. Lee Ermey)

FULL METAL JACKET – Speciale “Filmcritica”

Speciale della rivista "Filmcritica" pubblicato nel 1987 in occasione dell'uscita del film di Stanley Kubrick "Full Metal Jacket"
F. Scott Fitzgerald, William Faulkner, Ernest Hemingway

FITZGERALD, FAULKNER, HEMINGWAY A HOLLYWOOD

Fernanda Pivano parla del rapporto tra gli scrittori americani e il cinema
Stanley Kubrick and Orson Welles

WELLES AND KUBRICK: TWO FORMS OF EXILE

James Naremore's thought-provoking paper on Welles and Kubrick and the artistic effects of them leaving the U.S.
The Godfather Part III - Mary

FROM HORSE’S HEAD TO HORSE’S ASS

10 Reasons why The Godfather Part III is crap
Paths of Glory - The assault on Ant Hill

THE “ANTI-MILITARISM” OF STANLEY KUBRICK

Essay by Jackson Burgess
A Clockwork Orange - The Korova Milk Bar

THE CULTURAL PRODUCTIONS OF ‘A CLOCKWORK ORANGE’

Janet Staiger's essay on the cultural effects of watching A Clockwork Orange
Redmond derubato da due banditi

BARRY LYNDON – Recensione di Francesco Bolzoni

Recensione di Francesco Bolzoni a Barry Lyndon (1975) di Stanley Kubrick. La recensione è apparsa in «Rivista del Cinematografo», nel 1976
The Deer Hunter - Robert De Niro

THE DEER HUNTER – Review by Peter Biskind

Peter Biskind reviews Michael Cimino's movie the Deer Hunter
Dr. Strangelove

DR. STRANGELOVE – review by Robert Hatch

Robert Hatch reviews Stanley Kubrick's Dr. Strangelove for "The Nation"
Fear and desire, a scene from the movie

CHECKMATING THE GENERAL: STANLEY KUBRICK’S FEAR AND DESIRE by Paolo Cherchi...

Paolo Cherchi Usai's essay on FEAR AND DESIRE, a film by Stanley Kubrick, carefully analyzes the importance of this early work by the great film maker
Playboy interview - Stanley Kubrick

STANLEY KUBRICK: PLAYBOY INTERVIEW (1968)

A candid conversation with the pioneering creator of 2001: A Space Odyssey, Dr. Strangelove and Lolita
Apocalypse Now - Dennis Hopper

APOCALYPSE NOW – Speciale della rivista “Duel”

Speciale pubblicato dalla rivista "Duel" nel 2001 in occasione dell'uscita di "Apocalypse Now Redux"
The Baader Meinhof Complex

THE BAADER MEINHOF COMPLEX – Review by Christopher Hitchens

Christopher Hitchens’ review of the German film The Baader Meinhof Complex (2008) which portrays the terrorist group operating in West Germany known as the Red Army Faction
Fear and Desire

FEAR AND DESIRE: COUNTRY OF THE MIND

Jason Sperb analyses Fear and Desire and its relevance to Kubrick's larger body of work

THE BRUTALITY OF MILITARY INCOMPETENCE: PATHS OF GLORY AND KING AND...

Essay by Andrew Kelly published in "Cinema and The Great War"
The Shining - Overlook Hotel

THE SHINING – Review by Paul Mayersberg for Sight & Sound

Paul Mayersberg reviews Stanley Kubrick's The Shining
Dax leads the first wave of soldiers over the top

ORIZZONTI DI GLORIA: “FOYER” CRITICO DELLA RIVISTA BIANCO E NERO

Contributi critici del regista cinematografico Michelangelo Antonioni, del critico letterario Giulio Cattaneo, dello storico del cinema Fausto Montesanti e dello sceneggiatore Giorgio Prosperi. Con una nota critica di Lino Del Fra.
Paths of Glory - Colonel Dax (Kirk Douglas)

ORIZZONTI DI GLORIA – Recensione di Guido Aristarco

Recensione del film di Stanley Kubrick "Orizzonti di Gloria", scritta da Guido Aristarco per la rivista Cinema Nuovo
Paths of Glory - Kirk Douglas

PATHS OF GLORY – Review by François Truffaut

François Truffaut reviews Stanley Kubrick's "Paths of Glory"
Roma città aperta - la fucilazione di don Pietro

ROMA CITTÀ APERTA – SEQUENZA FINALE: L’ESECUZIONE DI DON PIETRO

Sceneggiatura della sequenza finale del film di Rossellini "Roma città aperta"
A Clockwork Orange - Alex and his droogs beat an old homeless man

A CLOCKWORK ORANGE: STANLEY STRANGELOVE – Review by Pauline Kael

Review of Stanley Kubrick's "A Clockwork Orange" written by Pauline Kael and published in The New Yorker, January 1, 1972
A Clockwork Orange - Ludovico technique

A CLOCKWORK ORANGE: THE DÉCOR OF TOMORROW’S HELL

Robert Hughes's review on Stanley Kubrick’s "A Clockwork Orange", The Décor of Tomorrow’s Hell, "Time", 1971
The Shining - Jack Nicholson

THE SHINING – Stanley Kubrick’s Horror Show

Review of Stanley Kubrick's "The Shining", written by Jack Kroll and published in Newsweek, June 2, 1980
The Deer Hunter - Russian roulette scene

IL CACCIATORE – Recensione di Ernesto G. Laura, Bianco e Nero

Recensione del film di Michael Cimino "Il Cacciatore", a cura di Ernesto G. Laura, pubblicata dalla rivista "Bianco e Nero" nel 1979
The Shining - Kubrick on set

KUBRICK: CRITICS TO BE DAMNED – Interview by John Hofsess

Interview with Stanley Kubrick by Canadian Film Critic John Hofsess, published in The Soho News, May 1980
The Shining - Jack Torrance

LA RAGIONE EVANESCENTE: NEL LABIRINTO DI SHINING

Saggio di Francesco Cattaneo su Shining, pubblicato dalla rivista italiana Cineforum nel 2003
Kind of a lower animal sort of thing. Kind of a human thing, it seems to me. Don't you make a distinction between the two, Major?

PATTERNS OF SPACE, SOUND AND MOVEMENT IN PATHS OF GLORY

Essay by Eric Eaton published in "Stanley Kubrick: Essays on His Films and Legacy"
Eyes Wide Shut - Nicole Kidman

DOSSIER EYES WIDE SHUT – SegnoCinema

Speciale Eyes Wide Shut pubblicato dalla rivista italiana SegnoCinema, Gennaio-Febbraio 2000
Eyes Wide Shut - Tom Cruise

KUBRICK’S EYE – Speciale Cineforum

Speciale su Stanley Kubrick pubblicato dalla rivista italiana Cineforum nel 1999 in occasione dell'uscita di Eyes Wide Shut
A City of Sadness (1989)

CITY OF SADNESS: WINDOW ON CHINA

Review of Hou Hsiao-hsien's movie "A City of Sadness" (1989), written by Yann Tobin for the French magazine Positif in 1990

GANGS OF NEW YORK: TRIBÙ CONTRO TRIBÙ COSÌ NASCE L’AMERICA

Recensione del film di Martin Scorsese "Gangs of New York" a cura di Gianni Canova. Pubblicata sulla rivista Letture nel Marzo 2003
Blade Runner - Harrison Ford

BLADE RUNNER – Recensione di Fernaldo Di Giammatteo

Analisi di Blade Runner a cura di Fernaldo Di Giammatteo, pubblicata nel volume Milestones
Foto di gruppo alla cena per C'era una volta in America: Sergio Leone, James Woods, Joe Pesci, Robert De Niro, Danny Aiello

C’ERA UNA VOLTA IN AMERICA – Il Castoro Cinema

Francesco Mininni analizza il film «C'era una volta in America» nel volume monografico de «Il Castoro Cinema» dedicato a Sergio Leone
Eyes Wide Shut - Tom Cruise and Nicole Kidman

EYES WIDE SHUT – Recensione di Sandro Bernardi

Recensione di Eyes Wide Shut a cura di Sandro Bernardi. Pubblicata sulla rivista Drammaturgia, Luglio 2000
C'era una volta in America - Set

SPECIALE LEONE – C’ERA UNA VOLTA IN AMERICA

Speciale Sergio Leone pubblicato nel 1984 dalla rivista Cineforum (238) in occasione dell'uscita di C'era una volta in America
Noodles (Robert De Niro) takes a long draw on the pipe in the Chinese opium den

C’ERA UNA VOLTA IN AMERICA: TUTTI A SOGNARE LO STESSO SOGNO

Saggio di Marcello Garofalo sull'ultimo film di Sergio Leone, C'era una volta in America. Pubblicato su SegnoCinema, n. 38, maggio 1989.
Sergio Leone on the set of "Once upon a time in America"

INTERVIEW WITH SERGIO LEONE – American Film, 1984

Interview with Sergio Leone, by Pete Hamill. Published in American Film, June 1984
2001: A Space Odyssey - Poster

2001: ODISSEA NELLO SPAZIO – Recensione di Alberto Moravia

2001: Odissea nello Spazio - Recensione di Alberto Moravia pubblicata sulla rivista italiana l'Espresso del 29 Dicembre 1968
Bud Spencer (Bambino) and Terence Hill (Trinity)

THEY CALL ME TRINITY – Review by Howard Hughes

Howard Hughes reviews Enzo Barboni’s "They Call Me Trinity" in his book "Once Upon a Time in the Italian West"
DR. STRANGELOVE - American Poster

IL DOTTOR STRANAMORE – Recensione di Giovanni Grazzini

Recensione di Giovanni Grazzini del film Il Dottor Stranamore di Stanley Kubrick, pubblicata sul Corriere della Sera il 04 Aprile 1964
Barry Lyndon, il duello

BARRY LYNDON – Speciale Cineforum

Stanley Kubrick's Barry Lyndon special published by Italian magazine Cineforum n.160, December 1976

C’ERA UNA VOLTA IN AMERICA – Analisi di Marcello Garofalo

Marcello Garofalo analizza il film di Sergio Leone "C'era una volta in America" nel suo libro "Tutto il cinema di Sergio Leone"
Barry Lyndon [1975] Marisa Berenson as Lady Lyndon

BARRY LYNDON: PRETTY AS A PICTURE – Review by Derek Malcolm

Derek Malcolm reviews Kubrick's movie of Thackeray's Barry Lyndon
The Deer Hunter (1978) Rober De Niro with Christopher Walken and John Cazale

THE DEER HUNTER – Review by Gordon Gow for Films and...

Michael Cimino's The Deer Hunter (1978) review by Gordon Gow for Films and Filming magazine, March 1979
Killer's Kiss (1955) by Stanley Kubrick

IL BACIO DELL’ASSASSINO – Recensione di Tullio Masoni per “Cineforum”

Recensione del film di Stanley Kubrick "Il Bacio dell'assassino", di Tullio Masoni. Pubblicato in Cineforum n. 347, Settembre 1995
Stanley Kubrick on the set of Barry Lyndon

BARRY LYNDON – Kubrick’s Gilded Age, by Pauline Kael

Review of Stanley Kubrick's Barry Lyndon, written by Pauline Kael and published in The New Yorker, December 29, 1975
A Clockwork Orange (1971) Alex

ARANCIA MECCANICA – Speciale Cineforum

Speciale Arancia Meccanica pubblicato dalla rivista Cineforum nel 1973
The Deer Hunter (1978) Michael and Nick on a hunting trip in the mountains

IL CACCIATORE – E il carnefice si veste da vittima

Review of Michael Cimino's The Deer Hunter, published by Italian newspaper l’Unita’ on 28/02/1979
Paths of Glory (1957) Stanley Kubrick and Kird Douglas on set

ORIZZONTI DI GLORIA – Analisi di Enrico Ghezzi, Il Castoro Cinema

Analysis of Stanley Kubrick's Paths of Glory (1957) by Enrico Ghezzi, Il Castoro Cinema
The Deer Hunter (1978) by Michael Cimino

THE DEER HUNTER – The God-Bless-America symphony

Review of Michael Cimino's The Deer Hunter, written by Pauline Kael and published in The New Yorker, December 18, 1978

LOLITA – A Screenplay

Prefazione di Vladimir Nabokov alla pubblicazione italiana della sceneggiatura che ha scritto adattando il suo romanzo. Kubrick utilizzerà ben poco di questa versione ma lascerà ugualmente a Nabokov il credit di unico autore dello script
Eyes Wide Shut (1999) Tom Cruise and Nicole Kidman

EYES WIDE SHUT – Raccolta di recensioni italiane

Italian reviews of Stanley Kubrick's Eyes Wide Shut (1999)
Full Metal Jacket - Private Joker (Matthew Modine)

FULL METAL JACKET – Speciale Cineforum

Stanley Kubrick's Full Metal Jacket special published by Italian magazine Cineforum 269 in 1987
Stanley Kubrick's Barry Lyndon

BARRY LYNDON – Sight and Sound movie review

Barry Lyndon (1976) movie review by Penelope Houston, Sight and Sound, Spring 1976

2001 – Un sogno svanisce nello spazio e crea un...

Review and analysis of Stanley Kubrick's 2001: A Space Odyssey, published by the Italian magazine Cineforum N.82, February 1969
The Fifth Seal (Az ötödik pecsét, 1976) by Zoltán Fábri

The Fifth Seal (Az ötödik pecsét, 1976) by Zoltán Fábri

The film is set in Budapest towards the end of the Second World War. Four middle-aged men, conspicuously ordinary and everyday, meet up to drink at an inn...
Oriana Fallaci Interviews Alfred Hitchcock, Cannes 1963

ALFRED HITCHCOCK: MR. CHASTITY by Oriana Fallaci

Oriana Fallaci interviewed Alfred Hitchcock in 1963 when his movie The Birds screened in Cannes

ADDIO KUBRICK, IL CINEMA PERDE UNA LEGGENDA

Il regista è morto a 70 anni. Una vita segregata piena di misteri e fobie. Nei suoi film le angosce di mezzo secolo.
Kirk Douglas and Woody Strode in Spartacus (1960)

KUBRICK’S PERSONAL STAMP ON SPARTACUS

Spartacus had a powerful star and a politically committed screenwriter. So how did Stanley Kubrick put his personal stamp on the film, asks Henry Sheehan?

KING AND COUNTRY (1964): “WHAT BEAUTY IS THERE, WHAT ANGUISH”

The origin of King and Country was an actual incident in World War I involving a young enlisted man who was executed for desertion.

FULL METAL JACKET, HAMBURGER HILL AND THE VIETNAM WAR

One dark legacy of the nation that had still not been put to rest by this time was the Vietnam War, which is evident in Stanley Kubrick's Full Metal Jacket and in the other notable combat film of the year, John Irvin's Hamburger Hill.
Quentin Tarantino with the Palme d'Or won at Cannes in 1994 with the movie Pulp Fiction

INTERVIEW WITH QUENTIN TARANTINO by Michel Ciment and Hubert Niogret (Cannes...

Quentin Tarantino interviewed by Michel Ciment and Hubert Niogret for Positif magazine at Cannes festival in 1994
Paul Mazursky in Fear and Desire

FEAR AND DESIRE: KUBRICK “RIMOSSO” – di Paolo Cherchi Usai

Speciale sul film di Stanley Kubrick "Fear and Desire", pubblicato dalla rivista Segnocinema nel 1989
Photo of Stanley Kubrick

DOSSIER KUBRICK – Duel 70

Series of articles about Stanley Kubrick published by the Italian magazine Duel on the n.70 issue, June 1999 Perché Kubrick è un classico: Stanley o...
Review of Kubrick's Paths of Glory by Sight and Sound 1957

PATHS OF GLORY – Sight and Sound movie review

Review of Stanley Kubrick's movie "Paths of Glory", published by Sight and Sound in 1957